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'The Changeling Limited Edition' gets UK Blu-ray debut in newly restored version on August 13th 2018

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‘A child’s ball bouncing down a flight of stairs was enough to scare the daylights out of me’
- Stephen King
THE CHANGELING (1980) 


Label: Second Sight Films
Release Date: August 13th 2018 
Region Code: Region-FREE
Duration: 107 Minutes 
Rating: 15 Cert.
Video: 1080P HD Widescreen 
Director: Peter Medak
Cast: George C. Scott, Trish Van Devere, Melvyn Douglas

Cited as a huge influence by renowned film-makers including Martin Scorsese and Alejandro Amenabar and lauded by horror aficionados and audiences alike, The Changeling is one of the most chilling horrors of all time and now it arrives in a brand new restored version for the first time on Blu-ray, featuring stunning newly
commissioned artwork by Christopher Shy.

One of the last classic horror films to finally be released in high-definition, Peter Medak’s (The Krays) The Changeling arrives as a limited edition collector’s set including stunning packaging, a poster, a 40-page perfect bound booklet and a slew of newly created special features such as a commentaries, interviews and featurettes.
The Changeling Limited Edition Blu-ray will be released on 13 August 2018 from Second Sight.

Following the tragic death of his wife and daughter in a car crash, composer John Russell leaves the city and retires to an old mansion in the hope of rebuilding his life. The peace and quiet he craves is soon disturbed however. Unexplained noises are just the beginning. Convinced there is a supernatural presence in the house
he enlists the help a local historian. What they uncover is more shocking than he could ever have imagined.

George C. Scott (The Hustler) plays the lead alongside a strong cast including his wife Trish Van Devere (Where’s Poppa) and Oscar winning actor Melvyn Douglas (Being There).

One of the most highly acclaimed horror films of all time The Changeling will chill you to the bone.

Special Features:
- Brand new 4K scan and restoration
- Limited Edition packaging featuring outer rigid slipcase, Amaray case, poster, 40 page booklet and
OST CD
- Audio commentary with director Peter Medak and producer Joel B. Michaels moderated by Severin
Films’ David Gregory
- ‘The House on Cheesman Park’: The Haunting True Story of The Changeling
- ‘The Music of The Changeling’: Interview with Music Arranger Kenneth Wannberg
- ‘Building The House of Horror’: Interview with Art Director Reuben Freed
- ‘The Psychotronic Tourist’: The Changeling
- ‘Master of Horror Mick Garris on The Changeling’
- Trailer
- TV Spot
- New English subtitles for the hearing impaired

Limited Edition Exclusive Contents:
- Original Soundtrack CD
- 40 page perfect bound booklet with new essay by Kevin Lyons, production notes and on-set interview with George C. Scott
- Double-sided poster and reversible Amaray sleeve featuring newly commissioned artwork by artist Christopher Shy and original poster art



THE SONG OF SOLOMON coming to Blu-ray, DVD, and other formats via Unearthed Films on August 15th

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THE SONG OF SOLOMON (2017) 

Label: Unearthed Films
Release Date: August 14th 2018 
Region Code: A/1
Rating: Unrated 
Duration: 86 Minutes
Audio: English 
Video: 1080p HD Widescreen 
Director: Stephen Biro
Cast: Gene Palubicki, James VanBebber, Jessica Cameron, Andy Winton, David McMahon, Betanya Grant, Maureen Pelamati, Stephen Biro


When the song is finally sung, Lucifer will be unleashed

Director and Producer of The Song of Solomon, Unearthed Films CEO, Stephen Biro gives 100% Real Exorcism Rituals taken from The Exorcism book from the Vatican: DE EXORCISMUS ET SUPPLICATIONIBUS QUIBUSDAM and uses 100% practical effects from two of the leading FX Companies in Independent Horror (Toetag and Oddtopsy ).

Mary witnesses the brutal suicide of her Father. His death unleashes the savage forces of demonic possession in his daughter. The End of Days are upon the world. Famine, drought, looting and chaos is ripping the world apart and the Catholic Church is trying to save an innocent soul from the ravages of Satanic possession.

Wave after wave of holy men are sent to confront the possessed, but what is the Holy Church actually doing? The City on Seven Hills is working on the Second Coming of Christ but before He comes back - the Antichrist must rule for seven years.

The Song of Solomon's true nature is to unleash an evil the world has been waiting for since the beginning of time.

Special Features: 
- Commentary with Stephen Biro & Jessica Cameron
- Commentary with Stephen Biro, Marcus Koch and Jerami Cruise
- Behind the Scenes/Making of
- Outtakes
- Photo Gallery
- Video Interview with Actress Jessica Cameron
- Video Interview with Writer/Director Stephen Biro
- Video Interview with Special Effects Artist Marcus Koch
- Video Interview with Director of Photography Chris Hilleke
- Video Interview with Actor Gene Palubicki
- Video Interview with Actor David McMahon


JOHN CARPENTER’S SOMEONE’S WATCHING ME!, MEMOIRS OF AN INVISIBLE MAN, AND IN THE MOUTH OF MADNESS (COLLECTOR’S EDITION), ON BLU-RAY THIS JULY 24th, 2018

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The Shout! Factor horror imprint Scream Factory sprung to life around the films of John Carpenter and they're continuing the Carpenter love with a trio of new Blu-ray releases coming July 24th with new 2K scans for the TV movie Someone's Watching Me (1978) and the Chevy Chase vehicle Memoirs of An Invisible Man (1992) plus a new 4K scan of Carpenter's last (in my opinion) masterpiece, In The Mouth of Madness (1995), plus we get new extras! 

On July 24th, Scream Factory will release three excellent films from the canon of John Carpenter (Halloween, The Thing) on Blu-ray, Memoirs of an Invisible Man, Someone’s Watching Me, and In The Mouth of Madness, the latter in a new Collector’s Edition.


IN THE MOUTH OF MADNESS (1995)

Label: Scream Factory

Region Code: A
Rating: R
Duration: 95 Minutes 
Audio: English 
Video: 1080p HD Widescreen (2.35:1) 
Director: John Carpenter 
Cast: Sam Neill, Julie Carmen, Jürgen Prochnow, John Glover, Charlton Heston, David Warner, Bernie Casey, Peter Jason, Frances Bay, Wilhelm von Homburg

In The Mouth Of Madness [Collector’s Edition] boasts several exciting new special features, including a new audio commentary with director John Carpenter and producer Sandy King Carpenter, discussing the 1995 film.


Synopsis: Inspired by the tales of H.P. Lovecraft, this shocking story is, in the words of its acclaimed director, "horror beyond description!” Sutter Cane (Jürgen Prochnow, Dune, The Seventh Sign) is the best-selling author whose newest novel is literally driving readers insane. When he inexplicably vanishes, his publisher (Charlton Heston, Soylent Green, Planet Of The Apes) sends special investigator John Trent (Sam Neill, Daybreakers, Dead Calm) to track him down. Drawn to a town that exists only in Cane's books, Trent crosses the barrier between fact and fiction and enters a terrifying world from which there is no escape.


In The Mouth Of Madness [Collector’s Edition] Special Features

- NEW 4K scan of the original film elements
- NEW Audio Commentary with director John Carpenter and producer Sandy King Carpenter 
- NEW Horror’s Hallowed Grounds – a look at the film’s locations today
- NEW The Whisperer of the Dark - an interview with actress Julie Carman
- NEW Greg Nicotero’s Things in the Basement – a new interview with special effects artist Greg Nicotero including behind-the-scenes footage
- NEW Home Movies from Hobb’s End – Behind the Scenes footage from Greg Nicotero
- Audio Commentary with director John Carpenter and cinematographer Gary B. Kibbe
- Vintage Featurette – The Making of In the Mouth of Madness
- Theatrical Trailer
- TV Spots




MEMOIRS OF an INVISIBLE MAN (1992) 

Label: Scream Factory

Region Code: A
Rating: PG
Duration: 99 Minutes 
Audio: English 
Video: 1080p HD Widescreen (2.35:1) 

Director: John Carpenter 
Cast: Chevy Chase, Daryl Hannah, Sam Neill, Michael McKean, Stephen Tobolowsky

Synopsis: Chevy Chase takes center stage in 1992’s Memoirs of an Invisible Man. Thanks to a nuclear accident, Nick Halloway (Chase) has become invisible. Invisibility makes it easier to spy on agents (particularly chief adversary Sam Neill) who've put him in his predicament. And he can romance a lovely documentary producer (Daryl Hannah) in a way she's never "seen" before. John Carpenter directs and Industrial Light and Magic create eye-opening effects as Nick embarks on his manic quest.

Memoirs of an Invisible Man Special Features

- NEW 2K scan of the original film elements
- How to Become Invisible: The Dawn of Digital F/X
- Vintage interviews with director John Carpenter, actors Chevy Chase and Daryl Hannah
- Behind the Scenes footage
- Outtakes
- Theatrical Trailer
- TV Spots


SOMEONES'S WATCHING ME! (1978) 

Label: Scream Factory

Region Code: A
Rating: Unrated 
Duration: 97 Minutes 
Audio: English :1
Video: 1080p HD Fullscreen (1.33:1), Widescreen (2.35:1) 
Director: John Carpenter 
Cast: Lauren Hutton, David Birney, Adrienne Barbeau, Charles Cyphers, Grainger Hines, Len Lesser, John Mahon, James Murtaugh

Synopsis: In 1978’s Someone’s Watching Me, Los Angeles newcomer Leigh Michaels moves into a chic high-rise apartment building. She loves the view. So does the Peeping Tom who lives somewhere in the adjacent tower. John Carpenter writes and directs this thriller where the breath-catching suspense starts at the moment Leigh (Lauren Hutton, American Gigolo) is framed in the lens of a telescope. For Leigh, it's the beginning of terrors that escalate from anonymous calls and gifts to lights that mysteriously flicker to prove that someone watches every moment of her life. Leigh fights back, matching her tormentor's obsession with her own relentless drive to uncover his identity. The prey is now predator – and that escalates the stalker's game to a deadly new level. Someone is watching.

Someone’s Watching Me Special Features

- NEW 2K scan from the original film elements – in both 1.85:1 and 1.33:1 aspect ratios
- NEW audio commentary with author Amanda Reyes (Are You in the House Alone?: A TV Movie Compendium 1964-1999)
- NEW Adrienne Barbeau: Looking Back at Someone’s Watching Me
- NEW Carpenter’s Enforcer – an interview with Charles Cyphers on his career in John Carpenter’s films
- NEW Horror’s Hallowed Grounds – a look at the film’s locations today
- John Carpenter: Director Rising
- TV Promo
- Still Gallery

SCREAM FACTORY PRESENTS PIRANHA II: THE SPAWNING (1981) IN ITS BLU-RAY DEBUT ARRIVING JULY 31st, 2018

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PIRANHA II: THE SPAWNING (1981) 

Label: Scream Factory 
Region Code: A
Rating: R
Duration: 94 Minutes 
Audio: English DTS-HD MA 
Video: 1080p HD Widescreen (1.85:1) 
Director: James Cameron
Cast: Tricia O'Neil, Steve Marachuk, Lance Henriksen, Ted Richert, Ricky G. Paull, Leslie Graves

Who’s for dinner?


It may seem like paradise, but just off shore a new brand of terror has been unleashed in Piranha II, James Cameron’s directorial debut. The razor-sharp sequel to Piranha comes to Blu-ray for the first time July 31st, 2017 from Scream Factory in a release that features a brand new 2K scan of the original camera negative and new interviews with cast and crew.

While investigating the mysterious death of a diver, scuba instructor Anne Kimbrough (Tricia O’Neil - Titanic) makes a horrific discovery: Piranha-like fish, with wings that enable them to fly, are responsible for the death. As the body count rises, Anne desperately tries to convince the manager of the Club Elysium resort to call off the annual fish fry on the beach, but he’s determined to give his guests the ultimate feeding frenzy. This exciting sequel to Joe Dante’s original PIRANHA also stars Lance Henriksen (Aliens, Pumpkinhead) and is the directorial debut of James Cameron (Avatar, The Terminator, Aliens).

Special Features:
- NEW 2K scan from the original camera negative
- NEW interview with actor Ricky Paull Goldin
- NEW interview with special effects artist Brian Wade
- Theatrical Trailer

Bram Stoker's SHADOWBUILDER (1998) coming August 28th from MVD Rewind!

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Bram Stoker's SHADOWBUILDER (1998) 

Label: MVD Rewind Collection
Region Code: A
Rating: R
Duration: 101 Minutes 
Audio: English PCM
Video: 1080p HD Widescreen 

Director: Jamie Dixon 
Cast:  Michael Rooker, Leslie Hope, Tony Todd, Kevin Zegers, Shawn Thompson, Andrew Jackson

Featuring an all-star cast that includes Michael Rooker (Guardians of the Galaxy), Leslie Hope (Crimson Peak), Kevin Zegers (Dawn of the Dead) and Tony Todd (Candyman).

From the mind of the master of horror, Bram Stoker (creator of Dracula), comes Shadowbuilder for the first time ever on Blu-ray!

A demon is summoned to take the soul of a young boy, who has the potential to become a saint. If the demon succeeds, it will open a doorway to Hell, blazing a terrifying trail of destruction, possession and mayhem and destroy humanity. Now the fate of the world hinges on the final outcome of a renegade priest's battle with the soul eating Shadowbuilder .


The epic struggle between good and evil in Shadowbuilder features an all-star cast that includes Michael Rooker (Guardians of the Galaxy), Leslie Hope (Crimson Peak), Kevin Zegers (Dawn of the Dead) and Tony Todd (Candyman).

Special Features: 
- High Definition Blu-ray (1080p) presentation of the main feature.
- Original 2.0 Stereo Audio (Uncompressed PCM on the Blu-ray)
- Audio Commentary from Director Jamie Dixon
- NEW! 'Making of Shadowbuilder' featurette (HD, 33:22) (featuring director Jamie Dixon, writer Michael Stokes and stars Andrew Jackson (The Shadowbuilder) and Tony Todd (Covey)
- NEW! 'Shadowbuilder: Visual Effects' featurette (HD, 13:26)
- NEW! 'Shadowbuilder: Kevin Zegers' featurette (HD, 5:00)
- Reversible, 2-Sided Artwork
- Spanish Subtitles
- Original Theatrical Trailer
- Collectible Poster

NIGHT OF THE LEPUS (1972) (Scream Factory Blu-ray Review)

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NIGHT OF THE LEPUS (1972)

Label: Scream Factory 
Region Code: A
Rating: PG
Duration: 88 Minutes 
Audio: English DTS-HD MA  Mono with Optional English Subtitles 
Video: 1080p HD Widescreen (1.85:1) 
Director: William F. Claxton
Cast: Janet Leigh, Rory Calhoun, DeForest Kelley, Paul Fix, Melanie Fullerton, Stuart Whitman



"How many eyes does horror have? How many times will terror strike?" This is what the rabbit-less original one-sheet advertised, with  a family holding off the disembodied eyes peering at them through the darkness with a shovel in hand! Man oh man did the studio go out of their way not to advertise that this was a killer-bunny movie when it came into the cinemas back in '72, for fear of it probably being laughed off the screen no-doubt. That's a fair worry I suppose, the premise is plenty silly on paper (an oftentimes in action), and when I saw it on TV as a kid I thought to myself, "killer bunnies, are you fucking kidding me?"  




That they play it so straight is probably why this one has gone on to have such a cult-following all these years later, it's so earnest it's kitschy, the director and cast are straight-faced, as they confront the threat of giant (dog-sized really, not all that giant) rabbits in the Arizona desert. It opens with rancher, Cole Hillman (Rory Calhoun, Motel Hell) riding his horse on his rural property, when suddenly his horse falls to the ground after breaking it's leg in a rabbit-hole, forcing the rancher to pull out his rifle and put the animal out of it's misery. We learn that Cole's property is lousy with rabbits since all the predators have been killed off, so he seeks the help of college president Elgin Clark (DeForest Kelley, Bones from TV's Star Trek). As a longtime resident of Tucson, Arizona it was a hoot to see DeForest and Calhoun speaking right in front of the historic Old Main building on the University of Arizona campus where I worked for 20-years, though the the most notable film shot at the U of A campus to my reckoning would have to be the 80's classic The Revenge of the Nerds (1984)! 



We are then introduced to scientist couple Roy (Stuart Whitman, Eaten Alive) and Gerry Bennett (played by horror royalty Janet Leigh, The Fog) whom are asked by Elgin to go out to the ranch and see what they can do about this over-population of rabbits, which they do. They take a few of the bunnies back to their lab to run some hormone experiments on them in hopes of curbing the breeding population, but their bratty daughter loves one of the test rabbits and pulls an old switcheroo, resulting in the wrong rabbit being released into the population, which somehow enables the animals to grow to abnormal size seemingly overnight!




The normal sized rabbits were already wreaking havoc on the small Arizona community, so you can imagine that 150 lb. dog-sized rabbits prove to be an even more formidable and fearsome. As the menace grows they slaughter a family of campers and a produce truck driver who stops off on the side the road at the worse possible moment, the bloodletting in this is one is surprisingly ample considering this was an early 70's Eco-horror entry. As the rabbits turn to eating people they do not do so in gory detail, but the aftermath is plenty bloody in a Hammer films Kennsington gore sort of way, check out some of the screen grabs in the review for a few shots of this. Even the rabbits get bloody, being fired upon with rifles through the floorboards by people trapped in the basement after a house is overrun by the unfriendly bunnies! Probably the most disturbing footage is real, the film opens with a montage of newsreel footage about past rabbit explosions in the South West, the footage of people rounding them up and slaughtering the long-eared rodents is kind of harrowing. 





The film was directed by William F. Claxton who gad a long and storied career directing westerns for both the big and small screen, I don't think he did any other horror films, though he did direct a handful of Twilight Zone episodes. This is not a Western but it has the look and feel of one, set in rural Arizona there's a lot of dusty vistas, the cast has a Western look about them, so it's nice to see a 70's eco-horror flick with a unique Western atmosphere, it's a good looking movie. There's also a bit of trippiness to a scene of a young girl witnessing the blood-soaked bunnies in a closed-down mine, transitioning to a nightmare scene and the little girl waking up screaming, it's a nice touch. 



    
While this gets plenty of guffaws based on the admittedly silly sounding premise it's played straight without any winks and nods at the viewer, everyone is so damn serious and it makes it a better film I think. The movie is technically well made, even the special effects are good, the rabbits are real - there's no puppets I could spot - though there are some dead rabbits, but apparently they bought them that way, they didn't kill them, and there's a fun anecdote about that on one of the commentaries! The rabbits are shot on miniature sets and in slow-motion to give them some weight, they do great work here I think, it might be laughable to a degree but I just love this sort of thing, it might not have aged well but if you love old school practical and optical effects there's a lot to love, just look at the detail in those miniature Campbell soups cans and Lipton tea boxes! 



I also give the fun finale a nod of approval, it ingeniously involves electrifying a length of train-track to electrocute the bad bunnies, it's a frenzy of frying bunnies, gunfire and rabbits set on fire with a flame-thrower - though I assume the flaming rabbit used for the scene was a bunny-cadaver, and to that end there's a Humane Society approval that pops up at the end of the film, so there's hope.

Audio/Video: Night of the Lepus (1972) arrives on Blu-ray from Scream Factory through their licensing deal with Warner Brother, with a new 2K scan courtesy of WB, and it looks wonderful. The new scan is rich and finely detailed, grain is nicely ma aged, showing up poor in the under lit scenes but it;s very natural and filmic looking Blu-ray, the hairs of the killer bunnies has loads of details, offering plenty of fine detail and some nice looking depth. Black levels are very nice all around, offering good detail in the darker scenes. 




Audio comes by way of an English DTS-HD MA Mono track with optional English subtitles, the score from Jimmie Haskell (Dirty Mary, Crazy Larry) sound quite nice in the mix, dialogue  is always crisp and clean and never difficult to discern, and the horrifying rabbit sounds and gunfire come through robustly. 


Onto the extras it's nice to see Scream Factory are not just plundering the b-movie vaults at Warner Brothers but also providing new extras for the titles, which is something Warner Archive (whom I love for the fantastic work they do) just aren't able/willing to do for catalog titles, so this is why we love seeing them sub-license these titles to someone like Scream Factory! The main extras are two new commentary tracks, the first from author Lee Gambin (Massacred by Mother Nature: Exploring the Natural Horror Film) who gives a loving and enthusiastic reading on the film, he has an unabashed love for the film, loves it without shame and pours the love on with lots of info about eco-horror, the cast and crew, the ad campaign and how the film was received. The second track is from Pop Culture historian Russell Dyball, who begins by going into a surprising amount of depth about the newscaster at the start of the film, who was apparently the inspiration for Kent Brockman from TV's The Simpsons among other TV newscasters. The inclusion of two commentaries was pretty great, this is not a film I've watched a lot, or even read about much, so there was a lot if info packed into these two commentaries, and there's not a whole lot of overlap between the two, they're both trivia/anecdote heavy and very enjoyable with great energy. 




The disc is buttoned-up with a trailer, TV spots,radio spot and an image gallery. The single-disc release comes housed in a standard Blu-ray keepcase with 2-sided sleeve of artwork, the a-side featuring the original one-sheet artwork, featuring the now familiar eye-centric illustration, the b-side is not an artwork option but a scene from the film with text detailing the transfer credits, the disc itself features an excerpt of an alternate poster option.     


Special Features:

- NEW 2K scan of the original film elements
- NEW Audio Commentary with author Lee Gambin (Massacred by Mother Nature: Exploring the Natural Horror Film)
- NEW Audio Commentary with Pop Culture historian Russell Dyball
- Theatrical Trailer (2 min) HD 
- TV Spot (22 sec) HD 
- Radio Spot (1 mn) HD 
- Still Gallery (5 min) HD 

Night of the Lepus (1972) is a fun b-movie entry with a notable cast, it's way better than a killer-bunny movie has any right to be, so if you haven't checked it out don't pass it up, I think you'll be pleasantly surprised if you're a fan of strange 70's eco-horror. The new 2K transfer looks awesome and the new audio commentaries are a great value-add for those looking to upgrade this killer-rabbit classic.


Screenshots sourced directly from Blu-ray reviewed.

THE CURSE OF THE CAT PEOPLE (1944) (Scream Factory Blu-ray Review)

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THE CURSE OF THE CAT PEOPLE (1944) 

Label: Scream Factory
Region Code: A
Rating: Unrated
Duration: 70 Minutes
Audio: English DTS-HD MA 2.0 Mono with Optional English Subtitles
Video: 1080p HD Full Frame (1.33:1)
Director: Gunther von Fritsch and Robert Wise
Cast: Simone Simon, Kent Smith, Jane Randolph, Ann Carter, Elizabeth Russell, Eve March, Julia Dean, Erford Gage, Sir Lancelot




Few Hollywood producers had such an atmospheric impact on their films as Mr. Val Lewton, the series of films he produced for RKO Pictures all bare his unique visual stamp, shadow-soaked atmospheric chillers with small budgets but Gothic-style to spare, and that can be said of this sequel to Cat People (1942). A haunting supernatural fantasy about a lonely young girl with a vivid imagination who conjures an imaginary friend.
Kent Smith reprises his role from Cat People as Oliver Reed, whom after the death of his doomed first wife Irena (Simone Simon, Cat People) has remarried, tying the knot with his former co-worker Alice Moore (Jane Randolph, Abbot and Costello Meet the Frankenstein, and also returning from Cat People), the couple have a six-year old daughter, Amy (Ann Carter), a daydreamer who has difficulty making friends her own age, which worries her parents. Lacking friendship she conjures up an imaginary friend, later shocking her parents when she recognizes a photo Oliver keeps if Irena tucked away among his personal belongings, the idea that the specter of his late wife might be his daughter's imaginary friend is understandably disturbing, believing that she must have seen a photo of his doomed ex at some point and Incorporated that in her imagination, and the film could very well play both ways. This revelation leads to some corporal punishment by way of a spanking that happens off screen, more disturbing is that her mother and a family friend speak of how important a first spanking can be for a young child! 




Around the same time Anne befriends an elderly woman living in the neighborhood, aging actress Ms. Farren (Julia Dean), a slightly mad old woman who lives in a mansion with her estranged daughter Barbara (Elizabeth Russell, The 7th Victim), but Anne's parents disapprove  of the friendship with the old woman, warning her not go there again, though the family butler Edward (Sir Lancelot, The Ghost Ship) adds to just not go alone, that he will accompany her there. The warning from her parent's turns out to be justified, not so much because the dame is weird, but because the woman's daughter turns out to be murderously jealous of the attention her senile mother lavishes on the girl, all the while failing to acknowledge her own flesh and blood daughter, with Ms. Farren mentioning several times that she believes her real daughter died in adolescence and that this woman, her daughter, is only a caretaker pretending to be her daughter. 



Co-directed by Gunther V. Fritsch and Robert Wise (The Haunting), the film offers plenty of that familiar Val Lewton light and deep shadow visual style with Gothic-laced fantasy and loads of suspense. While advertised as a horror film upon release this is really a kid fantasy film with suspense, a story about a confused girl in need of a friend whose parent's disapprove of her over-active imagination, with the introduction of some keen supernatural element. It's a terrific sequel to the original, one that keeps the themes of what came before but does something unique with it, bringing Irena that cat woman back as an Angelic presence, a sort of guardian angel and companion for the misunderstood young woman, which is strange redemption considering she's the murderess from the first film, but it really works.



The film has a nicely artful and shadowy look about it in addition to some whimsical snow-covered scenes in the woods and in the family garden when Irena appears to young Anne, it adds fantastical elements to the film and looks great. The psychological underpinnings of this one are varied and have been studied for decades by much smarter people than myself, they're definitely there to study if you're looking for them, but the film is also an interesting film on a surface level and makes for a great watch regardless of what you're reading into it.


    

Audio/Video: The Curse of the Cat People (1942) arrives on single-disc Blu-ray from Scream Factory through their new licensing deal with Warner Bros, presented in full frame 1.33:1 in 1080p HD, sourced from a fine grain master from the Museum of Modern Art in New York. This release is not advertised as a new 2018 scan so I assume it comes from the previously existing master used for the 2005 DVD, but I have no verification about that. The Nicholas Musuraca (The Ghost Ship) black and white cinematography looks wonderful, deep blacks and pleasing shadow detail, the contrast levels are pleasing and we get some nice detail in the close-ups.  Comparing the DVD to the Blu-ray the framing is the same, grain is richer and better managed, contrast is improved and blacks are deeper looking to my eyes, it's a nice HD upgrade without being overwhelmingly significant upgrade. For a comparison of the DVD vs Blu-ray check out the screenshots at the bottom of the review.
Audio on the disc comes by way of an English DTS-HD MA 2.0 Mono track  with optional English subtitles, it's clean and free of distortion, it's a bit dated and flat but in good shape, the Roy Webb (I Walked with a Zombie) comes through nicely, too. 



Onto the extras Scream Factory carry-over the audio commentary with film historian Greg Mank, with audio interview excepts with actress Simone Simon, and the trailer from the 2005 Val Lewton collection release, and add a few extras of their own. New stuff begins with a new commentary with author/historian Steve Haberman(Silent Screams: The History of the Silent Horror Film) whose done quite a number of vintage horror commentaries for Scream Factory, he always brings a wealth of knowledge with him on these tracks, this one is no different. 


But wait, there's more! There's a audio interview with Ann Carter, moderated by Tom Weaver from 2007 and was featured in Tim Lucas's Video Watchdog magazine, Carter played young Anne in the film, describing her experiences making the film. We also get the 31-min video essay Lewton’s Muse: The Dark Eyes of Simone Simon –by filmmaker Constantine Nasr (Shadows in the Dark: The Val Lewton Legacy) which details the scandalous life of the French actress, plus  theatrical trailers for both Cat People (1942) and The Curse of the Cat People (1944), and a gallery of posters and ads for the film.   


Special Features:
- NEW Audio Commentary with author/historian Steve Haberman
- Audio Commentary with historian Greg Mank, with audio interview excepts with actress Simone Simon
-  NEW Lewton’s Muse: The Dark Eyes of Simone Simon – a video essay by filmmaker Constantine Nasr (Shadows in the Dark: The Val Lewton Legacy)(31 min) HD
-  NEW Audio Interview with Ann Carter, moderated by Tom Weaver (19 min) HD
-  Theatrical Trailers for Cat People (1942) (1 min) HD and The Curse of the Cat People (1944)(2 min) HD
-  Still Gallery (5 min) HD


The Curse of the Cat People (1944) is a wonderful child fantasy/suspense film, it's a surprising sequel but it works on it's own term and plays well. The cast is great, Simone Simon is an ethereal beauty and her charms though relegated to a smaller part in this sequel are considerable. Great to see this get an HD release from Scream Factory with some notable extras, here's hoping we see more Val Lewton classics turning up on Blu-ray through their licensing deal with Warner Bros. 




Top: Scream Factory 2018 Blu-ray 
Bottom: Warner Bros. 2005 DVD 












Screenshots used in this review and comparison were sourced by me from both the 2005 Warner Bros. DVD and 2018 Blu-ray release from Scream Factory.


TOMB RAIDER (2018) (Warner Bros. 4K Ultra HD Review)

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TOMB RAIDER (2018) 

Label: Warner Bros.
Region Code: A
Rating: PG-13
Duration: 118 Minutes
Audio: English Dolby Atmos, English DTS-HD MA Surround 5.1 with Optional English Subtitles 
Video: 2160p 4K UltraHD Widescreen(2.40:1), 1080p HD Widescreen (2.40:1)
Director: Roar Uthaug

Cast: Alicia Vikander, Dominic West, Walton Goggins as Mathias Vogel,, Daniel Wu, Kristin Scott Thomas 


I was never an avid player of the Lara Croft: Tomb Raider games, my playing of the game began and stopped with the original PlayStation platform, and I didn't even care for it then, I hate story mode games, I just want to play one on one and kills someone, I am simple that way. However, I did see the previous Angelina Jolie films, and have to say I wasn't a fan of them either, they were unintentionally campy and way too slick for my tastes. So I come into this 2018 reboot having no real history to draw from when comparing this reboot to the various video game iterations, and I'd sooner prefer to forget the previous films, so maybe I am an ideal audience for this reboot, coming into it without expectation or baggage. 

Even having just a cursory knowledge of the game and the previous films the story is solidly familiar with a few change-ups, we have Oscar winner Alicia Vikander (Ex Machina) as Lara Croft, when we catch-up to her we discover that her father Richard Croft (Dominic West, Punisher: War Zone) has been missing for about seven years. Lara has steadfastly refused to sign the paperwork declaring him dead, thereby temporarily forfeiting her inheritance, and she's making a meager living as a bike courier delivering pizza, When her father's business partner Ana Miller (Kristin Scott Thomas, The Other Boleyn Girl) informs her that if she doesn't sign the paperwork she will lose her father's beloved estate she reluctantly agrees to sign the document, and is promptly given a puzzle box as was requested by her father... no, it's not the Lament Configuration from the Hellraiser films, though that would have maybe been a better film perhaps and certainly no worse than any of the last Pinhead stories! 


Lara cracks the puzzle code and is rewarded with a clue hidden inside it, which leads her to her father's secret lab/repository journals chronically his adventures throughout the world, she also finds a pre-recorded video message from him, it's one of those "if you're seeing this I am probably dead" messages, which tells of his obsession with the ancient fable of a mythical Queen whom is told to have had power over life and death, also revealing he believes he has found her whereabouts on a remote island, but he fears this knowledge will fall into the wrong hands, namely that of a secretive evil-organization known as Trinity. He asks that she destroy all of his journals relating to the location, which she promptly ignores, travelling to Hong Kong in hopes of finding her father, or at least discovering what his final fate was. To that end she hires a drunken ship's captain, Lu Ren (Daniel Wu, TV's Into the Badlands), who for the right price - and to also find out what happened to his own father who was working with Richard Croft when he went missing. The two set sail into the treacherous Devil's Sea to an uncharted island where adventure, danger and evil men await. 


Arriving on the island they discover that Trinity is already there and have been for seven years, hmm, the same amount of time that her father's been missing, I wonder if they're connected? Trinity is represented on the island by tough-guy minions and archaeologist Mathias Vogel (Walton Goggins, The Hateful Eight) who is really the Belloq to Richard Croft's Indiana Jones, and the similarities don't end there, this film freely pilfers from Temple of Doom, The Goonies and more contemporary stuff like The Bourne Identity, which is really what hampers the film in my opinion. As it rolls along it lacks an identity, it's just borrowing/riffing on stuff from better films so liberally I found myself making mental notes every time it referenced something I saw in another movie. It's not that it wasn't well-done, it's an action-packed film that doesn't really let up on the gas pedal much at all once the ball gets rolling, and I enjoyed it a bunch, and to be fair I don't know if these scenes are references in the game by any means, either way, there's a lot of something borrowed here and not a lot of anything new.


Onto the good stuff, I really dig Alicia Vikander as the titular character,  she's strong but not infallible, she blows Angelina Jolie's posh caricature out of the water by a country mile. She's really physical in the role, grunting and groaning in equal measure as she pushes herself and is injured in the process. I dig the Temple of Doom styled booby traps, I like the island setting and the sea voyahe there, and I like the initial supernatural element of the film and how it pans out, though I did have some issue with the way they handled the pandemic evil a tiny bit. Walter Goggins is a good villain, slightly conflicted but a bad guy, but I didn't care at all for Dominic West as Croft's father, there was zero chemistry between the two so I didn't feel any of the father/daughter drama that should have been there, that was the weakest part of the film for me, and a lot of it is predicated on that on her desire to find him, but once she does it goes down hill a bit.  


Audio/Video: Tomb Raider (2018) arrives on 4K Ultra HD + Blu-ray + Digital Combo from Warner Bros, framed in 2.40:1 widescreen, the 4K presentation looks keen, nicely sharp and detailed, the close-ups offering glistening sweat, bits of dirt and the craggy facial pores you've come to expect front he format. The earthy tones are solid and the digital effects are rendered nicely, a set-piece involving a WWII era bomber resting perilously on the edge of a waterfall looks great. As this is a Tomb Raider movie we also have the prerequisite plundering of an ancient and fabled tomb, the dark depths of which looks great, the 4K handling both the sun-drenched exteriors and the cavernous depth of the darker scenes with equal aplomb. 


Audio comes by way of strong Dolby Atmos or DTS-HD MA surround, the Atmos audio is outstanding, I felt immersed into each of the scenes, particularly a scene of a large boat crashing against the rocks during a storm, the sound design of the steel on rock carnage and crashing waves was impressive. Smaller scale directional like the sound of gunfire and are well placed and complement the action onscreen. 

Onto the extras we get a handful of pedestrian EPK-style extras looking at the evolution of the character, the physical training of star Alicia Vikander for the role, and a featurette breaking down the technical beats of the rapids scene. All this adding up to about half hours of material, all very slick and well-produced but not all that meaty, after you've seen many of the tell-all making of docs for exploitation and horror films these newer Hollywood blockbuster extras are anemic.  


Special Features: 
- Tomb Raider: Uncovered - The cast and crew reveal the challenges - and the fun – of bringing Lara Croft’s thrilling adventures of life for a new generation. (7 min) 
- Croft Training - Enter the gym with Award winning actress Alicia Vikander as she prepares for the most physically demanding role of her career and transforms into the iconic action hero Lara Croft. (6 min) 
- Breaking Down the Rapids - Join Director Roar Uthaug as he and other members of the cast and crew break down the film’s most exciting action set piece. (6 min) 
- Lara Croft: Evolution of an Icon - Explore the revolutionary TOMB RAIDER saga from video games to movies, and discover how Lara Croft became one of the most popular and successful female characters of all time. (10 min) 

Tomb Raider (2018) is an entertaining reboot, I found it more fun than the previous cinematic incarnations, Alicia Vikander is a very good Lara Croft, the action was well-executed, but the story itself is hackneyed and a bit predictable, but it's fair popcorn entertainment with some good action and pleasing visuals, and for better or worse I don't think anyone involved with was aiming any higher than that. The 4K presentation is solid  while the extras are slim, but the  movie is entertaining if somewhat disposable.  

Note: This disc was provided to us by Warner Bros. for the purpose f review, the screenshots were sourced from the Blu-ray not the 4K.




THE STRANGERS: PREY AT NIGHT (2018) (Universal Blu-ray/DVD Review)

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THE STRANGERS: PREY AT NIGHT (2018) 

Label: Universal Pictures

Region Code: A
Rating: R/Unrated
Duration: 86 Minutes 
Audio: English DTS-HD MA Surround 5.1 with Optional English Subtitles 
Video: 1080p HD Widescreen (2.40:1) 
Director: Johannes Roberts
Cast: Christina Hendricks, Martin Henderson, Bailee Madison, Lewis Pullman, Emma Bellomy, Damian Maffei, Lea Enslin 



Ten years after the original we are getting a sequel toThe Strangers (2008), this time we're following a family struggling with some interpersonal issues, parents Mike (Martin Henderson, The Ring) and mother and Cindy (Christina Hendricks, TV's Mad Men) along with their teen son Luke (Lewis Pullman) are in the process of driving their delinquent teenage daughter Kinsey (Bailee Madison, Don't Be Afraid of the Dark) to boarding school, against her will. She's done something wrong and her parents - who are very caring and sympathetic people - have had enough, while the specifics of her bad behavior are never detailed it is decided boarding school is the way to go. Along the way they stop off at a seasonal trailer park run by an aunt and and uncle, they arrive in the dead of night to a surprisingly empty trailer park. They help themselves to the key to their pre-assigned trailer and begin settle in for the night... when there's a knock at the door, uh-oh. A blond teen whose face is hidden away in the shadows asks if Tamra's home, when informed she's got the wrong place she walks off into the woods, if you've seen the first film you know the deadly game is now afoot, and this family of four have bigger issues outside of family squabbles.



In a a nice bit of 'let's get rid of the phones' in an organic and not too convoluted modern-slasher sort of way Dad confiscates everyone's cellphones in an attempt to have some focused family time, but Kinsey becomes upset as angsty teen often do, running off for some alone time, her brother at the urging of his mother follows her, catching up to her at a nearby park and they begin wandering the park together, eventually stumbling across a trailer with the front door ominously left open. Curious they go inside and discover the mutilated corpses of their aunt and uncle, sending them in a panic back towards the trailer looking their parents, who they run into on the way back. They spill their guts about what they've discovered, the father sends Kinsey and her mother back to the trailer while he and his son go back to check out the corpses, bad idea.

Where the Strangers was a atmospheric and dread filled home invasion downer the sequel is a more stylish retro-80's sort of slasher, the abandoned trailer park has an off-season summer camp sort of feel, it definitely brought to mind Friday the 13th - complete with not one, but three masked killers! That's right, Dollface, Pin Up Girl, and the Man in the Mask are back and out for the blood of strangers. Like the original this one has loads of atmosphere and style, the deserted trailer park has a light covering of fog and the visuals are bathed in a jaundiced yellow light, drenched in shadow and punctuated by tasty Carpenter-esque synth score - the main title copping Carpenter's theme for The Fog(1980) without shame, plus we get some choice 80's tuneage by way of Kim Wilde's "Kids in America" and Bonnie Tyler's "Total eclipse of the Heart" placed prominently in two key scenes.



The cast is good, we don't get a lot of time with mom and dad but they're here enough to establish their love for the kids, even when the teenage girl is being difficult, and Bailee Madison does good work as the delinquent teen, she's not too angsty and not too much of a bad-girl, she makes a great final girl and summons that necessary inner-strength convincingly when called upon. 

The body count here is not too high, this is a small group scenario - much like the first film - but the kills really count, you feel for these characters, some of whom are dying to save their loved one, I found one of the death's particularly harrowing when the victim becomes impaled by debris after a car crash, unable to free himself the Man in the Mask (or Sack Head if you prefer) opens the car door and sits down in the passenger seat, finding a song to his liking on the radio before toying with his prey, finally finishing him off with an ice-pick. I thought the whole scene was anguishing and sad.




The film starts off a tiny but slow but once they get to the trailer park things pick-up considerably and don't let up until the flaming end, literally a flaming end, there's what can only be an homage to the Stephen King/John Carpenter film Christine (1983) with a Ford F-150 engulfed in flames chasing after our final girl- it's quite a visual. It's funny that I dig these homages in this film when just today I was decrying Tomb Raider (2018) for riffing on Temple of Doom and Goonies, but when a slasher lovingly sends-up another of it's ilk I have no issue with it, some cinema-sins are forgivable while others are not, I think it's genre specific too.



One of the best looking sequences features the brother facing down Pin-Up Girl and Man in the Mask at the trailer parks pool, lit up with copious amounts of neon party lighting, there's a baptism of blood in the pool I found quite effective, and I must say that when the movie decided to unmask one of the characters it didn't ruin it for me, I thought it would but it didn't, in fact at the end of the day while I might think the original is the better made film this is probably the one I'll come back to more often, it's way more fun and not quite the downer gut-punch of the original, I prefer slashers to the almost always downer home invasion films.   



Audio/Side: The Strangers: Prey At Night (2018) arrives on Blu-ray from Universal Pictures in 1080p HD framed in 2.39:1 widescreen, this is a very dark film, so thankfully the blacks are nice and inky with good shadow detail, but the atmospheric lighting doesn't allow for crisp detail, so don't come into this one expecting razor-sharp detail and clarity - it's just mot that sort of film, it's going for a darker retro-80's slasher sort of look. Audio comes by way of a sweet sounding English DTS-HD MA Surround 5.1 options with optional English subtitles. The sound design really gives emphasis to a few jump-scare moments, one that stands apart from the pack is the startling introduction of Pin-Up Girl which actually made me jump a little bit, and the Adrian Johnston retro-synth score and 80's tunes sound terrific.



Looking at the extras they are pretty slim pickings, all slick and all-to-brief EPK styled clips that add up to about 10-minutes of not all that much. When Universal sent this our way for review they included a t-shirt and soundtrack CD, if you're a fan of retro-80's synth scores and 80's music I highly recommend the soundtrack CD.


This 2-disc Blu-ray/DVD release comes housed in a standard Blu-ray keepcase with a one-sided sleeve of artwork, and a slipcover featuring embossed lettering on the cover and spine, inside there's a Movies Anywhere Digital Movie Code for the film.



Special Features: 
- Alternate Ending (2 min) HD
- “Prep for Night” Music Video – Director’s Cut: The Man in the Mask, Dollface, and Pin-up Girl get ready to terrorize an unsuspecting family in a music video directed by horror auteur Mickey Keating (Darling, Carnage Park) (2 min) HD
- A Look Inside The Strangers: Prey at Night: Stars Christina Hendricks, Martin Henderson and director Johannes Roberts talk about the making of the film (2 min) HD 
- Family Fights Back: Stars Christina Hendricks, Martin Henderson, Bailee Madison, Lewis Pullman and director Johannes Roberts review the film’s characters and their fight to survive (2 min) HD 
- The Music of The Strangers: Prey at Night: Director Johannes Roberts and star Bailee Madison discuss the John Carpenter-inspired score and the ‘80s soundtrack that keeps The Strangers killing (3 min) HD 



When they first announced this ten-years-later sequel for The Strangers (2008) I scoffed at the notion, thinking that surely this was gonna be a cheap and woefully uninspired cash-grab, but I give credit where credit is due, director Johannes Roberts (47 Meters Down) came through with an entertaining slice of slasher cinema that left me pleasantly surprised, it's not just a rehash of the original, it turns what was a dread-filled home invasion thriller into a sweet slice of throwback slasher goodness.

 

On July 23rd the latest in the acclaimed 88 Slasher Classics Collection - BAD DREAMS (1988) - burns its way onto UK Blu-ray!

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“BAD DREAMS” IS PUTTING IT LIGHTLY – THIS ONE WILL KEEP YOU AWAKE ALL NIGHT!!

BAD DREAMS (1988) 

You would need to have been living in a bubble not to have encountered the Freddy Krueger phenomenon that took over the world in the 1980s. However, a number of movies also followed the NIGHTMARE ON ELM STREET boom with similar tales of dream-stalkers and surrealist scares – and chief among them was BAD DREAMS which also boasted a big budget and bombastic special effects! Featuring a leading lady performance from the legendary Scream Queen Jennifer Rubin – who was then just fresh from battling Freddy himself in A NIGHTMARE ON ELM STREET PART 3: DREAM WARRIORS – BAD DREAMS gained acclaim for its solid acting performances, tense suspense and shocking moments of fiery revenge. Dealing with a deadly cult, loosely based on the events of the notorious Reverend Jim Jones and his Guyana suicide pact, which has long since ceased to exist, but which left its sole survivor - a beautiful young woman called Cynthia - in a 13 year coma after a night of arson took dozens of lives! Of course, Cynthia wakes up but her nights continue to be haunted by the charred figure of her former leader – a strange supernatural stalker who begins to slaughter the young lady’s new compatriots in a state asylum.

Featuring a villainous performance from the late, great Richard Lynch (CUT AND RUN/ INVASION USA) and supporting turns from the genre icon Bruce Abbott (RE-ANIMATOR) and cult figure Dean Cameron (SUMMER SCHOOL), BAD DREAMS was heavily censored during its UK VHS run. Now, thanks to the efforts of 88 Films, this classic horror epic arrives back to British shelves in fully uncut form – and with a stunning new HD restoration. Directed by Andrew Fleming (THE CRAFT) and produced by Gale Anne Hurd (ALIENS/ TERMINATOR 2: JUDGEMENT DAY) it will be little surprise to anyone that BAD DREAMS still contains several moments of sizzling and shocking splatter set pieces. Every bit as outstanding when seen today, it is little wonder that BAD DREAMS has maintained such a sizeable cult following – and 88 Films is proud to present this standout sickie of late 1980s slice and dice madness in a standout special edition release. 

Available soon from the 88 Films web site, with a limited edition slipcover and an equally limited booklet covering the 30 greatest slasher movies from PSYCHO in 1960 through to BAD DREAMS at the end of the eighties, and on general release form July 23rd, we are now happy to confirm the final specs for this superlative Slasher Classics debut which comes in dual-format DVD/BD.




Special Features: 

- NEW! Extensive interview (over 40 minutes!) with star Jennifer Rubin 
- NEW! Exclusive interview with director Andrew Fleming
- NEW! Exclusive interview with BAD DREAMS fan Spencer Murphy, Lecturer at the University of Coventry.
- NEW! Audio commentary with slasher buffs and all-round genre experts Nathaniel Thompson and Tim Greer from Mondo-Digital.com
- NEW! Limited edition booklet notes by Calum Waddell charting 30 years of slasher madness! 
- NEW! Full uncut and uncensored restoration for the first time in the UK!

THE CURED (2018) (Scream Factory Blu-ray Review)

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THE CURED (2018) 

Label: Scream Factory/IFC Midnight
Region Code: A
Rating: R
Duration: 95 Minutes 
Audio: English DTS-HD MA 5.1, English DTS-HD MA 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (2.40:1) 
Director: David Freyne
Cast: Ellen Page, Sam Keeley, Tom Vaughan-Lawlor, Stuart Graham, Paula Malcomson


For his directorial debut writer/director David Freyne went with a well worn sub-genre of horror, the zombie/infected film, a genre that has been nearly played-out, so much so that I groan a little bit when a new one hits the shelves. However, credit where credit is due, Freyne proves you can offer something new to the rage-infected genre with this quietly intense indie horror-drama in the vein of 28 Days Later. It opens by setting up the world, Ireland has been ravaged for several years (at least four though it's not outright defined) by a plague known as The Maze Virus. Those that were infected - through the usual means; bites and bodily fluids - turned onto violent, flesh-munching psychos, but by the time the film opens a cure has been devised and administered to the infected, and about seventy-five percent of the formerly infected have been cured and rehabilitated in government facilities, but their transition back into society is fraught with multi-faceted issues. The infected are cursed to have all the memories of the horrible, uncontrollable violence they committed while they were infected, adding to the complications are that not all of the non-infected survivors are willing to forgive and forget what "the cured" did while they were infected, treating them as second class citizen or worse, no different or better than the infected. 



The story focuses in one of the afflicted survivors named Senan (Sam Keeley, This Must Be The Place) as he leaves the government run rahab facility and is taken in by his sympathetic sister-in-law, an American named Abbie (Ellen Page, Inception) who is the widow of his late brother who perished during the virus outbreak. Senan is haunted by the recurring memories of his infected rage-state and the terrible things he did, one act in particular he hides away from Abbie, knowing it would threaten their tenuous relationship. While he was still living in the facility Senan befriended an intense man named Conor (Tom Vaughan-Lawlor), who while infected was a bit of a alpha-wolf to the horde of infected, a once prominent lawyer who been disowned by his father and has been reduced to the menial task of sweeping the streets, and he's resentment for this downturn in life.




It turns out that about twenty-five percent of the infected are resistant to the cure and remain in a rage state, remaining locked away in a prison-like government facility, where Dr. Joan Lyons (Paula Malcomson) continues to work on a new strain of the cure she hopes will return the resistant to a non-rage state. However, public opinion and military leaders leans towards humanely killing the cure-resistant infected which, which allows Conor to marshal other like-minded cured into a full-on insurrection, preaching that once the resistant are killed the cured will be next, and he's probably not wrong about that, the film does a decent job building that tension.



As infected films go this one is sort of subdued, it's dealing with the personal, emotional and societal impact in the aftermath of The Maze Virus, focusing in on the characters of Senan and Conor as they both deal with life after the virus, each coping with what they've done in different ways, struggling to reintegrate back into or lash out at a prejudiced society who has turned against them. Conor's the extremist of the pair, while Senan chooses a more redemptive  approach, choosing to stay on at the government facility to aid the search for a new cure for the resistant infected. For a small budget movie the film is keen on big ideas with some nice world-building happening in the background all the while, which it does without over-stretching it's indie budget. 


While the film does eventually go a more typical infected route at the end with the hordes of resistant being unleashed the film really digs into the more quietly intense drama of the situation as it explores the ideas and emotional toll, largely without the usually requisite gore, though it does get a nice punch of blood and action at the end. I found that the themes and ideas explored stayed with me after watching it, which is more than I can say for most indie zombie/infected films I watched these days. 


The single-disc Blu-ray arrives on Blu-ray from Scream Factory in association with IFC Midnight in 1080p HD framed in 2:40:1 widescreen, audio comes by way of both surround and stereo English DTS-HD MA mixes with optional English subtitles. Extras on the disc are limited to a making-of piece and trailer, plus this release comes with a sleeve of reversible artwork.   

Special Features: 

- Behind the Scenes Featurette (6 min) HD 
- Theatrical Trailer (2 min) HD 

The Cured (2018) is not a typical infected film, it's thoughtful and nuanced, the cast is uniformly good, it while it lacks some visceral punch you might be expecting from the sub-genre. I think that if you're looking for something familiar but also trying to do something different this is worth checking out, but if you're just looking for some rage-carnage with oodles of gore you might wanna look elsewhere.


 

CANNON CLASSICS DOUBLE FEATURE: DEATH WISH 4: THE CRACKDOWN (1987) & DEATH WISH 5: THE FACE OF DEATH (1994) (Umbrella Blu-ray Review)

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CANNON CLASSICS DOUBLE FEATURE:
 DEATH WISH 4: THE CRACKDOWN (1987)/ 
DEATH WISH 5: THE FACE OF DEATH (1994)  

Label: Umbrella Entertainment

Region Code: Region-Free
Rating: R
Duration: 100 Minutes/95 Minutes 
Audio: English DTS-HD MA Mono, English DTS-HD MA Stereo with Optional English Subtitles
Director: J. Lee Thompson / Allan A. Goldstein
Cast: Charles Bronson, Dana Barton, Kay Lenz, John P. Ryan, Lesley-Anne Down, Michael Parks, Chuck Shamata, Saul Rubinek 


DEATH WISH 4: THE CRACKDOWN (1987)(100 min) 
Now living in Los Angeles after the New York set third film, the infamous vigilante Paul Kersey (Bronson, Hard Times) is once again working as an architect, having settled down with a newfound love interest, TV report Kay Sheldon (Kay Lenz, House), but when her teenage daughter Erica (Dana Barron, the original Audrey from National Lampoon's Vacation!) suddenly dies of a crack overdose Paul returns to his perennial vigilante lifestyle, seeking out the dealer who dealt her the toxic drugs, and then aligning himself with mysterious newspaper magnate Nathan White (John P. Ryan, It's Alive) in an effort to turn rival drug pushers against each other to rid the city of crack cocaine.


Now in his late-sixties Bronson was pretty tired looking at this point, but he returned for this J. Lee Thompson (Happy Birthday To Me) directed sequel, cashing a probably large-sized payout for the role and offering his usual tough-guy persona. The action in this one is a bit on the anemic side when compared to previous entries but it still manages to turn a smile with Bronson's character  dispatches bad guys in a series of fun and somewhat corny ways. The film opens with a strange parking garage sequence wherein a woman is being stalked by three stocking-masked thugs who look to be about to rape her when they're interrupted by Bronson, who dispatches of them in the usual point a gun in their direction and pull the trigger sort of way. Without Michael Winner directing this sequel gone is the formerly prerequisite misogynist rape scene the series is known for, making this a bit less seedier than previous entries, but what it lacks in sex-crimes it makes up for in ridiculous action set-pieces. One of my favorite scenes has Bronson going undercover as a wine rep, infiltrating a mobbed-up diner and offering a table of gangsters (including an early appearance from Danny Trejo, Machete) a bottle of explosive wine, the superimposed fiery explosion is so damn cheap looking, but the split-second we see of a mannequin used in the explosion alone is worth the price of admission for me, this is the sort of bad movie stuff that makes bad movies fun.  


The film is a definite drop down in quality for the series, though it is a better looking production than the third entry thanks to the capable direction of J. Lee Thompson (Cape Fear), and I love John P. Ryan here in a sinister dual-role, he goes right off the rails towards the end, chewing up scenery in a roller rink with an explosive finale, also featuring another cheap-ass mannequin that goes up in flames. Death Wish 4 is pretty cheesy stuff but this is still tasty cheese, the mold hasn't fully engulfed the 80's action flick and Bronson still caries himself well-enough to make this an entertaining Death Wish film.  



DEATH WISH 5: THE FACE OF DEATH (1994)(95 min)
Having had his revenge against the drug dealers who killed his girlfriend's daughter in L.A. in the last film we catch up to Paul Kersey (Bronson) a few years later, returning to where it all began, New York City. Now in his seventies the vigilante is inexplicably living in the witness protection program and is a professor of architecture at a local university. Again we have a doomed love interest by way of the much younger fashion designer Olivia (Lesley-Anne Down, From Beyond the Grave), and her young daughter Chelsea (Erica Lancaster). Unfortunately for everyone Olivia's ex is vicious gangster Tommy O’Shea (Michael Parks, Tusk) who is using her fashion house to launder dirty money, when she tries to break free of his tyrannical influence the Irish thug sends cross-dressing hit-man Freddie "Flakes" Garrity (Robert Joy, Land of the Dead) to disfigure her as a warning, later going so far as to kill her, continuing a streak of doomed women that Kersey has left in his wake going all the way back to the original film.  


When the mobster gains custody of his estranged daughter following the death of his ex Kersey begins to hunt down O'Shea and his henchmen, with the violence in this one getting even sillier and more cartoonish than the last with Kersey taking out the mobster and his henchmen via a cornucopia of oddball ways, including a cyanide-laced cannoli, an R/C controlled soccer-ball bomb and an ill-advisedly placed vat of acid!


Death Wish 5: The Face of Death (1994) is more of the same for the franchise, but even cheaper than the last. Bronson is considerably older than even the last film, so don't expect a lot from him, thankfully we again have a notable villain by way of Michael Parks (From Dusk Till Dawn), he's venomous fun as the over-the-top Irish mobster, and while he doesn't completely redeem this mostly flat action-less film I think if you made it through the first four films I don't expect you'll walk away from this one too disappointed. 


Audio/Video: Death Wish 4 and 5 arrives on single-disc Blu-ray from Umbrella Entertainment in 1080p HD, framed in 1.85:1 widescreen and sourced from a good looking element, whatever that may be. Grain is decently managed, with darker scenes showing more visible grain. There doesn't look to be any egregious DNR applied to it, looking very filmic and natural. Colors are also good, skin tones look natural and the black levels are adequate, I wouldn't say inky through and through, but looking alright overall. Audio comes by way of English DTS-HD MA Mono on the first film and stereo for the second with optional English subtitles, no issues with hiss or distortion, well-balanced with score and dialogue coming through without issue. 

Extras are not quite as plentiful as the Umbrella release for Death wish II (1982)/Death Wish III (1985) but are decent, we get two audio commentaries from Film Historian and Bronson expert Paul Talbot - this guy knows his stuff and goes in-depth with a wealth of trivia, anecdotes, and behind the scenes info about each film, getting into the nitty gritty, even minutia like how Bronson played cards with the women in the film but no men were allowed to join in, he even details the various weapons used in the film, including which other film they were used in during that time period. The rest of the extras are relegated to trailers, tv spots, promos and an image gallery with posters, lobby cards, press releases, and various home video releases. 


Special Features: 

- Audio Commentaries  for both film by Film Historian Paul Talbot, Author of Bronson's Loose!
- Death Wish 4 Theatrical Trailer (2 min) 
- Death Wish 5 Theatrical Trailer (2 min) 
- Death wish 4 TV Spot (30 sec) 
- Death wish 4 Broadcast Promo Spot (30 sec) 
- Death Wish 4 VHS Preview (20 sec) 
- Death Wish 5 VHS Preview (1 min) 
- Image Gallery (63 Images) 


Death Wish 4 and 5 are both cheesy fun if you're in the right frame of mind, Bronson is not in top-form here but if you're a fan of the series (or of Bronson) it's a fun re-visit on Blu-ray. Notably this double-feature marks the HD debut of the fifth film, and Umbrella's Blu-ray looks and sounds very good with two great audio commentaries from a serious Bronson fanatic, both of which I would argue are nearly as entertaining as the films themselves.  

Paul Ragsdale (CINCO DE MAYO) retro 80's revenger STREETS OF VENGEANCE (2017) arrives on DVD/Blu-ray July 24th from Olive Films and Slasher//Video!

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STREETS OF VENGEANCE (2017)

Label: Olive Films
Duration: 101 Minutes
Rating: Unrated
Audio: Stereo
Video: Widescreen (1.78:1) 
Director: Paul Ragsdale
Cast: Delawna McKinney, Ginger Lynn Allen, Joanna Angel, Alexis Amore, Sophie Dee, Bryan Hurd, Daniel James Moody 

From Paul Ragsdale and Angelica De Alba, the directing and writing team behind the cult horror film Cinco De Mayo, comes Streets of Vengeance, an action-packed thriller that pays homage to the gritty revenge films of the 1980s. 

A throwback to the gritty action-thrillers of the 80s (Angel, Vice Squad, Ms. 45), Streets of Vengeance stars Delawna McKinney (Cinco De Mayo) as Mila, an ex-porn star whose decision to leave the industry is interrupted when she’s kidnapped by a militant misogynist sect known as The Sword, intent on ridding the world of women who they believe are using their sexual powers to destroy men. The Sword’s plans are thwarted when Mila kills her captor, and with the help of Brian (Anthony To’omata, Cinco De Mayo), a local journalist, escapes.

Emboldened, Mila recruits her friends from the adult film community who form a ragtag militia and set out to destroy the cult of The Sword.

Rounding out the cast is a bevy of adult film actresses including Ginger Lynn Allen (Sunset Stripped), Joanna Angel (All Access P.O.V.), Sophie Dee (Out of Control) and Alexis Amore (Bario Bitches). Also featured are Daniel James Moody (Brothers) and Bryan Hurd (Fever Dream). Streets of Vengeance is written and directed by Paul Ragsdale (Cinco De Mayo, Brothers), produced by Angelica De Alba (Cinco De Mayo co-writer), photographed by Dan Zampa and scored by Vestron Vulture.

Special Features: 
- Audio commentary with writer/director Paul Ragsdale, producer Angelica De Alba and cinematographer Dan Zampa
- Making of “Streets of Vengeance” featurette
- Cast and crew interviews
- Outtakes
- Bloopers
- Photo galleries
- Music videos
- Trailers
- “Slashlorette Party” trailer
- “Tough Guys” trailer


XTRO (1982) (Second Sight Blu-ray Review)

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XTRO (1982)

Label: Second Sight Films
Region Code: Region-FREE
Rating: Cert: 15 
Duration: 87 Minutes 
Audio: English DTS-HD MA 2.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (1.85:1) 
Director: Harry Bromley Davenport
Cast: Philip Sayer, Bernice Stegers, Danny Brainin, Marayam D’Abo, Anan Wing 


Synopsis: Not all aliens are friendly Part E.T., part Alien, British horror classic Xtro is one of the strangest, most shocking exploitation flicks to land on earth during the video nasty heyday. A film that narrowly avoided inclusion and prosecution on the original nasties list, threw in buckets of blood and gore and some of the most outlandish plot twists of the VHS era to create a truly memorable horror classic. Now it makes its arrival for the first time on Blu-ray courtesy of Second Sight Films as Xtro: Limited Edition Box Set.



British sci-fi nightmare Xtro (1982) opens with father Sam (Philip Sayer, Slayground) and his young son Tony (Simon Nash, Brazil) playing fetch-the-stick with the family dog in the backyard, as dad attempts to throw the stick over the house it is deflected by something unseen midair. There's flash of electricity and day turns to night, with a rush of flashing lights and turbulent winds the father is seemingly abducted in a beam of bright white light that comes from the sky, it's a real Close Encounters of the Third Kind on a really low budget sort of moment. Flash forward three years later and Tony is waking from a nightmare, having dreamed of his father, the boy has always insisted that his dad was taken by a light in the sky, however, his mother Rachel (Bernice Stegers, Macabre) believes that Sam's just run off with another woman perhaps. 



Later that night we see a UFO flying over a nearby forest and deposits something into the ground, setting a small wooded area on fire in the process. Moving in for a closer look we see something stirring in the ground, a pool of ooze begins morphing into a what looks to be an alien-mutant version of a over-sized grasshopper! This is our first taste of some awesomely cheesy 80's practical special effects via a man in a fairly awful rubber suit, I say awful but in truth I love this sort of vintage 80's stuff! A short time later a passing vehicle strikes the creature and when the driver (Robert Pereno, Billy the Kid and the Green Baize Vampire) goes to investigate he is killed by the injured creature. The female passenger who didn't listen to her boyfriends warning to "stay in the car!" is also killed. The creature then makes it's way to a small cottage where it attacks and grotesquely alien-rapes a young woman (Susie Silvey, Octopussy), as a proboscis of some sort emerges from the creature and cups itself over the victim's mouth transferring it's alien-goo into her body. She awakens a short time later next to the body of the now rotting, dead alien creature, realizing that something rather large is growing in her womb. While her useless dog eats the remains of the creature's corpse whatever it is inside of her is rapidly and painfully growing, as she lays on the floor with her stomach distended several times that the size of a normal pregnant woman, she gives an unnatural birth to a full  grown man who emerges from between her legs in a bloody mess, chewing through his own umbilical cord. The man is familiar to us, he's Sam, Tony's father, whom disappeared three years earlier.



At about the same time Tony awakens from a another dream covered in a bucket load of blood, seemingly coming from nowhere. His alarmed mother calls the doc who discovers the boy's suffered no apparent injuries, there's no explanation whatsoever offered and everyone more or less seems alright with that, it's just one of many bizarre and unexplained happenings in this surreal sci-fi shocker. The Sam clone/creature attempts to call his wife from a payphone but it seems his vocal chords have not fully matured and she can't understand him when he gives her a ring, when he hangs up the phone it just sort of melts away for no apparent reason, yet another bizarre goings-on that is never explained, and I do believe it's the unexplainable that makes this just a keen watch, it offers no answers so it has a ageless/answer-less draw about it. 



In the three years since Sam's disappearance Rachel has moved on with her life, nit one to linger on loneliness she's in a relationship with a photographer named Joe (Danny Brainin), and she also lives with a super-hot nanny named Analise (Bond-girl Maryam d'Abo from The Living Daylights), a gorgeous young woman whose  often frisky, kind enough to have several nude lovemaking scenes throughout the film, to bad she's relegated to alien-egg incubator a bit later, but not quite yet. 



Rachel only discovers Sam is back in town when she heads to school to pick-up Tony and shockingly finds out he's already been picked-up, and by Sam no less. Alarmed she tracks them down nearby and Sam reveals himself to her, she's gobsmacked by his sudden re-appearance, and when pressed for info about his whereabouts he says he has no memory of where he been until the day before. She takes him home where he meets the new man in her life, it's an uneasy meeting and Joe is obviously suspect of Sam's true intentions and strange behaviors. 



Later on Tony walks-in on his dad eating his pet snake rather runny eggs and runs off in a fright, Dad gives chase through the apartment building into the basement level, catching up to him he explains that since the abductions he's visited far away worlds and has changed, but he's come back for his son and wants the two to stay together. Once he's gained the child's confidence he creepily puts his mouth on the boys shoulder and starts sucking, transferring some mysterious fluids into him - or out of him - and this is such a creepy scene. Afterward Tony discovers he's gained new powers, he has the ability to control objects, but he uses his new found powers for evil - quickly dispatching the elderly neighbor who earlier killed his pet snake after it escaped into her apartment. Tony's method of revenge is somehow transforming his 12" army action figure into a 6' assassin, it's a fun scene, and the way the old biddy is bayoneted through the bed she's hiding beneath with the blood squirting out from underneath is a gloriously cheap thrill.



Xtro is a bit of a special effects n' gore extravaganza, as it is the plot is basic stuff, serving only to link the numerous and bloody effects scenes together in a way, but also realized with a strange surreal visual style that offers oodles of atmosphere and copious amounts of WTF-ery, there's a decided lack of connective tissue holding the scenes together, it has a dream-logic not dissimilar to that of a Lucio Fulci (The Beyond) film. Don't come to this film expecting a coherent plot, it's not really there, but the strange, rubbery and usually gooey special effects are a blast, this one is full of alien-fluids, human blood and a pint-sized killer clown that Tony conjures during a trippy, hallucinogenic scene, this is one strange surrealist slice of sci-fi. Not all of the weirdness works for me, a scene of a toy tank chasing down Analise's boyfriend was only meh, but overall the film's strangeness works for it and not against it. 



Audio/Video: Xtro (1982) arrives on Blu-ray from British distributor Second Sight Films in 1080p HD, this is a brand new restoration framed in 1.85:1 widescreen, and it's a fresh look for the film, particularly for me as the last time I watched it was from a well-worn second hand VHS copy in 2010! I was tempted to purchase the German HD release a while back but reports of excessive DNR (another ruinous Krekel debacle) kept me away, but this is from the original scan and is a brand new restoration exclusive to Second Sight. I am happy to report that it looks healthy with some natural looking grain throughout, it was a cheapie production and looks it in spots with some inherent softness in certain scenes due to improper lighting and lack thereof, but it looks natural. Colors are solid, but skin tones tend to look a bit cool but I think that's the intention, and the black levels are decent throughout. For a different look at the film check out the 2018 Director's Version (included as a separate viewing option) which has been heavily tweaked in regard to brightness and color grading, it's a completely different look and feel for the film, though not my preferred one. The lone audio option is an English DTS-HD MA 2.0 stereo track, dialogue is crisp and clean with no issues with hiss or distortion, the wonky synth score from director Harry Bromley Davenport is memorably strange, it suits the film.



Second Sight go all-out for the extras, kicking things off with a nearly hour-long retrospective making-of documentary 'Xploring Xtro' produced by Nucleus Films, this featuring brand new interviews with director Harry Bromley Davenport, Producer Mark Forstater, Actors Bernice Stegers, Susie Silvey, Tim Dry, Sean Crawford, Robert Pereno,and journalists Alan Jones and Craig Lapper that begins with the story of how Monty Python and the Holy Grail producer Forstarter aligned himself with director Davenport, selling the evil-extraterrestrial story Robert Shaye at a pre-'The House That Freddy Built' New Line Cinema, who was looking for something along in the vein of Phantasm to distribute. There;s plenty of the director disparaging himself and the movie, while others hold it up as something special, it goes deep into the making of the film, including fun buts with the cast and crew, including actor Tim Dry who was the man in the alien rubber-suit speaking about having to submerge himself in a mud-pit thinking he might well drown in the process!  



Nucleus Films also offer up a handful of shorter extras all sourced from the same interview sessions, ‘The World of Xtro’ is a 27-min featurette with more of director Harry Bromley-Davenport and producer Mark Forstater along with super-fan Dennis Atherton (wearing a Shock Waves podcast t-shirt) all speaking about the peculiar charms of the film and why it has gone onto have cult-status. Atherton is an especially obsessive fan with some keen insights into he what makes the film so damn strange and wonderful, contradicting the director's claims that the film is a bit of nonsense, pointing out some foreshadowing and strangeness, including the women in the car whose foot gets stuck in the steering wheel. In ‘Beyond Xtro’ Harry Bromley-Davenport and Mark Forstater  speak briefly about the sequels, in addition to the unfinished fourth film Xtro: The Big One, including test footage from the unfinished film, and I am sorry to say that it looks truly awful, but then again so were the sequels. 



‘Loving The Alien: A Tribute to Philip Sayer’ is a 4-min tribute from Harry Bromley-Davenport, Bernice Stegers and super-fan Danny Atherton, the latter of whom speaks of the Brian May (of Queen) tribute song for Sayer from 1992, the song is presented at the end of the tribute along with a montage of scenes from the film featuring the late actor. The only non-Nucleus produced extra is 'Xtro Xposed', a vintage 12-min featurette from Digital Roadshow featuring a 2005 interview with the director intercut with behind-the-scenes images and clips from the film, it's a good watch as he admits he doesn't much care for his films, believing them to be rubbish, but it seems he's warmed up to the film a tiny bit on the newly produced extras, but not by much. 

Finishing up the disc extras we get a theatrical trailer, US TV spot, and the option to watch the original UK cut of the film, the original clones ending, the slightly longer alternate ending version or a new 2018 version of the film overseen by director Harry Bromley-Davenport which tweaks the color grading and changes up the title sequence by adding additional text effects to the credits, some scenes are notably darker and less bright and detailed in the 2018 version, I honestly didn't care for it at all. 

We were just send the "check disc" for the purpose of this review, but retail copies include both original UK theatrical and video artwork plus a rigid slipcover, a softcover book and a soundtrack CD - none of which accompanied out screener version. 



Special Features:  
- Limited Edition box set featuring both original UK theatrical and video artwork flipped on either side so you choose the front
- New Second Sight restoration with option of original and alternate endings plus the original UK video version
- New 2018 Director’s Version (87 min) with Director Introduction (32 sec)  
- ‘Xploring Xtro’ - a new 57 minute documentary featuring interviews with Harry Bromley Davenport Mark Forstater, Bernice Stegers, Susie Silvey, ‘Tik’ – Tim Dry, ‘Tok’ – Sean Crawford, Robert Pereno, Alan Jones and Craig Lapper
- ‘The World of Xtro’ - a new featurette with Dennis Atherton, Harry Bromley-Davenport and Mark Forstater (27 min) HD 
- ‘Beyond Xtro’ – a new featurette with Harry Bromley-Davenport and Mark Forstater looking ahead to new reboot ‘Xtro – The Big One’, including exclusive test footage (7 min) HD
- ‘Xtro Xposed’ (12 min) 
- ‘Loving The Alien: A Tribute to Philip Sayer’ featuring exclusive Brian May music tribute (4 min) HD
- Original Trailer (2 min) HD 
- US TV Spot (32 sec) HD
- Soft cover book with new writing by Kevin Lyons plus publicity and production stills
- Original soundtrack CD


Of all the cheap sci-fi flicks that came out in the wake of Speilberg's E.T. and Close Encounters of the Third Kind this is definitely one of the strangest cult sci-fi flicks out there - even to this day it holds a special magic I love. The atmosphere of the film is deranged, you never know what might happen next, if you crave alien rape, sweet full frontal nudity, and rubbery and gooey  special effects, then this a true treat. The new restoration from Second Sight looks and sounds great, this surreal slice of sci-fi WTF-ery has never looked or sounded better on home video, and the new extras are truly entertaining, this is easily the most definitive version of the film to date, and it's region-free so dig in!
More screenshots sourced directly 
from the Second Sight Blu-ray 


Own the 2001: A Space Odyssey on 4K Ultra HD Blu-ray combo pack and digital October 30th!

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STANLEY KUBRICK’S ACCLAIMED SCI-FI CLASSIC
2001: A SPACE ODYSSEY
TO BE RELEASED ON 4K ULTRA HD

Following the summer’s theatrical run of the unrestored 70mm print of Kubrick’s landmark 1968 masterpiece, the film will be available for the first time in 4K Ultra High Definition resolution with High Dynamic Range (HDR) on October 30th in premium collectible packaging

A remastered Blu-ray™ Disc will also be included in the 4K UHD set and will be available for individual purchase

Continuing the celebration of the 50th anniversary of Stanley Kubrick’s 2001: A Space Odyssey, Warner Bros. Home Entertainment announced today that the renowned director’s groundbreaking science fiction epic will be released on 4K Ultra High Definition (UHD) Blu-ray™ in premium collectible packaging and 4K UHD Digital on October 30.  Widely considered among the greatest films of the 20th century, 2001: A Space Odyssey returned to U.S. theatres in May following the debut of an “unrestored” 70mm print at the 71st annual Cannes Film Festival. The film is playing throughout the summer at select theatres.

For the first time since the original release, new 70mm prints were struck from pristine printing elements made from the original camera negative.  A longtime admirer of the late American auteur, Christopher Nolan worked closely with the team at Warner Bros. Pictures throughout the mastering process.

Building on the work done for the new 70mm prints, the 4K UHD with HDR presentation was mastered from the 65mm original camera negative. The 4K UHD also includes both a remixed and restored 5.1 DTS-HD master audio track, as well as the original 1968 6-track theatrical audio mix (formatted for 5.1 DTS-HD master audio). 

“2001 to me is the most cinematic film that has ever been made and it has been an honour and a privilege to be able to share the film with a new generation,” said Nolan. “4K UHD allows the closest recreation of viewing the original film print in your own home. Kubrick’s masterpiece was originally presented on large format film and the deeper colour palette and superior resolution comes closest to matching the original analogue presentation.”

With 2001: A Space Odyssey, director Stanley Kubrick redefined the limits of filmmaking and cemented his legacy as one of the most revolutionary and influential film directors of all time.  Originally released in 70mm Cinerama roadshow format on April 4, 1968, the film ignited the imaginations of critics and audiences alike and its impact continues to resonate to this day. 

The film was directed and produced by Kubrick and written by Kubrick and Arthur C. Clarke, inspired by Clarke’s short story “The Sentinel.” The film stars Keir Dullea and Gary Lockwood.

An award-winning director, writer and producer, Christopher Nolan most recently earned dual Academy AwardÒ nominations, for Best Director and Best Picture, for his experiential tour-de-force Dunkirk, which in July 2017 received the largest 70mm release in the last quarter century.  His diverse filmography also includes Interstellar, Inception, the blockbuster The Dark Knight Trilogy, The Prestige, and Memento, for which he received his first OscarÒ nomination, for Best Original Screenplay.

The 2001: A Space Odyssey 4K UHD premium packaging will be available on October 30 at the suggested retail price (SRP) of $41.99, and includes the feature film in 4K resolution with HDR, a remastered Blu-ray disc with the feature film in hi-definition, a Blu-ray disc with the special features in hi-definition, and a Digital version of the feature film. The premium packaging also includes a collectible booklet and art cards featuring iconic images from the film.


In addition to being included with the 4K UHD, the remastered Blu-ray disc with the feature film in hi-definition will also be available on October 30 as a standalone product for $19.98 SRP. 

4K Ultra HD showcases 4K resolution with High Dynamic Range (HDR) and a wider color spectrum, offering consumers brighter, deeper, more lifelike colors for a home entertainment viewing experience like never before.

The 4K UHD Blu-ray disc of 2001: A Space Odyssey will feature Dolby VisionTM HDR that dramatically expands the color palette and contrast range and uses dynamic metadata to automatically optimize the picture for every screen, frame by frame.

Fans can also own 2001: A Space Odyssey in 4K UHD via purchase from select digital retailers including iTunes, Google and Vudu on October 30.

SYNOPSIS
Stanley Kubrick’s dazzling, Academy AwardÒ-winning achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. “Open the pod bay doors, HAL.” Let an awesome journey unlike any other begin.

4K UHD AND BLU-RAY ELEMENTS
2001: A Space Odyssey 4K UHD contains the following 4K and Blu-ray elements:

- 4K UHD Blu-ray™ with Commentary from Keir Dullea and Gary Lockwood
- Remastered Blu-ray™ with Commentary from Keir Dullea and Gary Lockwood
- The Making of a Myth
- Standing on the Shoulders of Kubrick: The Legacy of 2001
- Vision of a Future Passed: The Prophecy of 2001
-  2001: A Space Odyssey – A Look Behind the Future
- What Is Out There?
- 2001: FX and Early Conceptual Artwork
-  Look: Stanley Kubrick!
- 11/27/66 Interview with Stanley Kubrick [Audio Only]
- Original Theatrical Trailer
- Premium Booklet
- Art Cards

2001: A Space Odyssey Blu-ray disc contains the following elements:
- Remastered Blu-ray™ with the feature film in hi-definition with Commentary from Keir Dullea and Gary Lockwood

DIGITAL DISTRIBUTION ELEMENTS
On October 30th, 2001: A Space Odyssey will be available to own in 4K UHD from select digital retailers, including iTunes, Google, and Vudu.

ABOUT DIGITAL
Digital movies or TV episodes allow fans to watch a digital version of their movie or TV show anywhere, on their favorite devices. Digital movies or TV episodes are included with the purchase of specially marked Blu-ray discs. With digital, consumers are able to instantly stream and download movies and TV shows to TVs, computers, tablets and smartphones through retail services. For more information on compatible devices and services go to wb.com/digitalmoviefaq. Consult a digital retailer for details and requirements and for a list of digital-compatible devices.



BASICS
PRODUCT SRP
4K UHD Premium Packaging - $41.99
Blu-ray- $19.98 
4K UHD Blu-ray and Blu-ray Street Date: October 30th, 2018
4K UHD EST Street Date: October 30th, 2018
4K UHD BD and Blu-ray Languages: English, Latin Spanish, Canadian French, Brazilian Portuguese
4K UHD BD and Blu-ray Subtitles: English, Latin Spanish, Parisian French, 
Canadian French, Brazilian Portuguese
Running Time: 142 minutes
Rating: G
4K UHD and Blu-ray: DTS HD-MA


RE-ANIMATOR (1985) (Umbrella Entertainment Blu-ray Review/Comparison)

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RE-ANIMATOR (1985) 
2-Disc Collector Edition 
Label: Arrow Video
Region Code: B
Rating: MA
Duration: 86 Minutes/104 Minutes 
Audio: English DTS-HD MA 5.1 with Optional English Subtitles Options (on the Unrated cut only) 
Video: 1080p HD Widescreen (1.77:1) 
Director: Stuart Gordon
Cast: Jeffrey Combs, Bruce Abbott, Barbara Crampton, David Gale


Synopsis: Adapted from H.P. Lovecraft’s sepulchral 1922 pulp horror story, arguably the first such tale to ever consider scientifically affected corpses as zombies, Re-Animator is Stuart Gordon’s cult classic trip into the realm of the living dead. Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West (Jeffrey Combs, From Beyond, The Frighteners) reveals to fellow graduate student Dan Cain (Bruce Abbott) his groundbreaking work concerning the re-animation of fresh corpses. West’s secret reagent is a powerful injection with the capacity to give life where there is none – destined to capture the imagination of the entire scientific community. However, between life and death is a thin thread of understanding and when obsession gets the better of West, there is no stopping his wicked ways – dead or alive! Presented complete and uncut in gore-glistening HD, Re-Animator is a true gore-fest of mortal manipulation in the most demented sense.



Very few movies have scarred me the way Stuart Gordon's Re-Animator (1985) did with it's dark alchemy of horror, comedy and weird perversion, it's just one of those films that you will never forget once it your eyeballs. The movie opens with a great pre-credit sequence by which we are introduced to Herbert West (Jeffrey Combs, From Beyond) a medical student at the Zurich University Institute of Medicine in Switzerland where he's been studying with his mentor, Dr. Hans Gruber (Al Berry, Halloween III) whom died suddenly right before the film opens, we are thrown directly into the fray as West injects Gruber with a strange glowing-green liquid with the apparent ability to re-animates the dead man, but not without some truly grotesque consequences, which are witnessed by staff and security of the institute who break into the lab after hearing an awful commotion. It's great stuff and it's only a small taste of what's to come, there's plenty more exquisite 80's gore and madcap horror on the way!



Somehow West is not prosecuted for crimes against natural law following the events in Zurich and ends up in back in the U.S. in New England at Miskatonic University where he studies under Dr. Carl Hill (David Gale, Rituals). The student-professor relationship is strained to say the least, made worse when West accuses Hill of poaching Dr. Gruber's theories of brain death very directly in front of his class. Shortly after West is introduced to promising medical student Dan Cain (Bruce Abbott, Bad Dreams) and the two become housemates even though Cain's girlfriend (and daughter of the Dean) Megan (Barbara Crampton, Beyond the Gates), is creeped out by the deeply weird West, and she just might be onto something for it's not long before before Dan awakens to the unearthly shrieking of his pert cat. Following the unnatural cat-shrieking to West's basement laboratory he finds the dismembered feline resurrected and very ravenous. Combs sells the rather corny stuffed feline prop as a menacing clawed demon-cat, it's great schlocky stuff, while Dan's unnerved by the ghastly affair West wins him over with the miraculous glowing-green re-agent fluid and joins in on West's mad quest for life after death leading to more death and tragedy. 



Jeffrey Combs' turn as the mad-scientist is a performance for the ages and his nemesis Dr. Hill is just as fantastic. Hill manages to turn the school's Dean Halsey (Robert Sampson,Robot Jox), against West and Cain using an under explained form of mind-control, he loathes West and is a total perv for Dan's girl Megan, and who wouldn't be, Barbara Crampton is a total babe, and she's still pretty damn hot these days. In the aftermath West and Cain are barred from the med-school but that doesn't stop them from breaking into the morgue and administering re-agent on cadavers which not so unexpectedly goes horribly wrong resulting in the death of the Dean, oops. West doesn't skip a beat and takes advantage of the freshest corpse in the room, injecting the Dean with the re-agent who becomes a brainless zombie, with the Dean being committed to the psychiatric ward under the watch of Dr. Hill who begins to connects the bizarre incident to West's research into brain-death. When confronted by Hill in his laboratory West decapitates the professor with a shovel, but still incapable of curbing his macabre curiosity he uses his re-agent to resuscitate Hill's disembodied head, causing even more problems down the line. 



Turns out that Hill can telepathically control his headless body which knocks the distracted West unconscious and stealing the re-agent and then kidnapping Megan to perform a bizarre act of disembodied cunnilingus - one of horror cinema's most-tasteless and glorious moments. We get loads of gore effects, a gorgeous face-peel, a brain exposed after having the skull removed, oodles of animated intestines, a decapitated head and a dismembered cat that gets it's brains smashed against the wall, those seeking the grotesque shall not be disappointed by Re-Animator - it holds up quite nicely.



This film is a horror classic for good reason, it's loaded with macabre atmosphere, blood-soaked gore and delicious black humor - it really stands the test of time and if you are not familiar with the works of Stuart Gordon do yourself a favor and remedy that right quick, the man is a twisted genius, and a somewhat under appreciated one at that in my opinion. 



Audio/Video: Re-Animator (1985) arrives on 2-disc region-B locked Blu-ray from Umbrella Entertainment, this is the initial offering of their new Worlds On Film: Beyond Genres imprint. The 2-disc set includes both the unrated (86 min) and integral (105 min) versions of the film in 1080p HD widescreen (1.77:1), each presented on it's own Blu-ray disc. This is sourced from the same 4K TLE restoration as the Arrow Video release, and the image looks very pleasing, it's a gorgeous transfer. The grain appears natural and the fine details pop, blacks are good and deep, and the colors look accurate - the green really radiates nicely. When comparing this too Second Sight's over-bright release and Arrow's 4K restoration I give the upper hand to Arrow because the grain is more finely resolved, but it's a close call, check out the screenshot comparisons below for the three versions from Arrow, Second Sight and Umbrella Entertainment.  

The only one audio option on this release is an English DTS-HD MA 5.1 Surround Audio options with optional English subtitle for the  unrated cut only. Dialogue is crisp and well-balanced and the iconic Richard Bands score has some nice presence in the mix, it's a solid track with no issues.   

Onto the extras we have a ton, Umbrella carry-over/license what looks to be all the extras from the previous US release from Image as well as the UK release from Second Sight Films, we get the fantastic in-depth, full-length making of doc Re-Animator Resurrectus, the two audio commentaries, sixteen extended and deleted scenes - all this on disc one. Onto disc two we get the longer 104-minute integral cut of the film plus vintage the interviews with Stuart Gordon and Brian Yuzna, Dennis Paoli, Richard Band and Timothy Tempone, the extended and deleted scenes, trailer, and TV spots for the film. 



The 2-disc release comes housed in an over-sized Blu-ray keepcase with a sleeve of reversible artwork with four panels of artwork, though there's no text/logo on any of the artwork options, but the spine is logo-ed. If I had to niggle a bit I would say I would have preferred the four panel reversible artwork should have featured the logo on each panel, it looks sort of naked to me when it's not in the slipcase. Speaking of the slipcase, this release also comes with a handsome slipcase which I believe was designed by Umbrella's in-house designer Simon Sherry, and is branded with the Beyond Genres design, and the spine is numbered. Looking at the discs themselves disc one features an excerpt of the artwork fro the slipcover and disc 2 features one of the artwork options on the four-panel sleeve.  

Special Features: 
Disc 1  
- Unrated Version (86 min) HD
- Audio commentary with director Stuart Gordon
- Audio commentary with producer Brian Yuzna, actors Jeffrey Combs, Barbara Crampton, Bruce Abbott, and Robert Sampson
- Re-Animator Resurrectus – documentary on the making of the film, featuring extensive interviews with cast and crew (96 min) 
- Deleted (3 min) HD
- 16 Extended Scenes (23 min) HD 
Disc 2 
- Integral Version (105 min) HD
- Interview with director Stuart Gordon and producer Brian Yuzna (49 min) 
- Interview with writer Dennis Paoli (11 min) 
- Interview with composer Richard Band (15 min) 
- Music Discussion with composer Richard Band (17 min) HD 
- Interview with former Fangoria editor Tony Timpone (5 min) 
- Trailer (2 min) HD 
- TV Spots (3 min) HD

Umbrella's 2-disc Collector Edition Blu-ray is a handsome release, a great first offering from their new imprint, which is being followed-up with a 2-disc double-feature of Bride of Re-Animator and Beyond Re-Animator! The A/V is solid, the extras are plentiful and the packaging is pretty damn sweet, highly recommended. 

TOP: UMBRELLA: 2-DISC COLLECTOR EDITION BLU (2018) 
MIDDLE: ARROW VIDEO: 2-DISC LIMITED EDITION BLU (2017) 
BOTTOM: SECOND SIGHT: LIMITED EDITION BLU (2016)

 



 

 
 

 
 

 
 

 

 

 

 
 

 





All screenshots sourced by me directly from individual Blu-ray releases from Umbrella, Second Sight and Arrow Video. 

MIND RIPPER (1995) (88 Films Blu-ray Review)

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MIND RIPPER (1995) 
Label: 88 Films
Rating: Certification: 15 
Duration: 95 Minutes
Region Code:
Video: 1080p HD Widescreen (1.78:1) 
Audio: English DTS-HD MA 2.0 Stereo with Optional English Subtitles 
Director: Joe Gayton 
Cast: Lance Henriksen, Giovanni Ribisi, Natasha Wagner, Claire Stansfield, John Diehl



The straight-to-video 90's horror entry Mind Ripper (195) began life as a Hills Have Eyes sequel set in space, co-written by Wes Craven's son Jonathan and directed by Joe Gayton (Faster) this would-be sequel is set deep in the blistering desert where a clandestine group of government funded scientist have found the body of a would-be suicide clinging to life after having apparently thrown himself from a cliff. They take his ravaged body back to their underground facility and inject with a super-soldier type serum which can regenerate human cells and imbues subjects with superhuman strength and agility, the serum was created by Jim Stockton (Lance Henriksen, Pumpkinhead) whom leaves the project shortly after due to differences in opinion about the unethical nature the project.




A few months after he's left the project it seems that research team leader Alex (John Diehl, National Lampoon's Vacation) has been dangerously upping the virus dosage to the human lab-rat, whom has remained comatose, transforming the formerly scrawny suicide, now dubbed "Thor" (Dan Blom, Tapeheads), into a sinewy muscle-laden beast of man. However, the experiment has turned south as Thor appears to be dying, forcing Alex to call in Stockton, to help save their deadly creation. 



Stockton reluctantly returns to the desert compound along with his surly teen son Scott (Giovanni Ribisi, Sky Captain and the World of Tomorrow), daughter Wendy (Natasha Gregson Wagner, TV's The 4400) and her d-bag horndog boyfriend Mark (Adam Solomon), only to discover that some serious shit has gone down since he was earlier contacted by Alex, who has since been killed by a newly awakened Thor. Now surviving scientists Rob (Gregory Sporleder, The Crazies) and heroine Joanne (Claire Stansfield, TV's Xena: Warrior Princess), must join forces with the Stockton clan to fight for survival against the virus-enhanced Thor in the labyrinth of underground tunnels of the facility.



As a slice of straight-to-video 90's horror this action-y would-be sequel is not very good, but it does have some cheesy appeal, it maintains a teeny-tiny bit of the flavor of the original The Hills Have Eyes film, such as the family fighting against a deadly threat in the desert, and as where the original mutants were victims of unscrupulous nuclear testing this underground facility was former nuclear waste dump site. You can also see remnants of the original script, it beginning life as a Hills Have Eyes In Space sequel, it's been toned-down to a more Earthbound underground facility, and in place of mutants with a taste for human flesh we have a genetically engineered man, the virus inside him deteriorating his body, his eyes change, his ears and hair begin to fall off, not so much craving human flesh as much as an undefined desire for brains, with a dog-dick looking brain-sucking appendage that darts from his vagina/tongue. 




It's all very generic stuff with a few obvious homages to Alien throughout, the special effects done by Image Animation (Hellraiser) look pretty darned good considering this must had an anemic budget, but the gore isn't all that stupendous, but what we get is a bit gruesome, especially the doggy dick/vagina stuff. Lance Henriksen is decent as the dad trying to patch things up with his estranged kids, he's always good, even though he doesn't put a whole lot into this one, but he gets the job done. Future star Giovanni Ribissi (Gangsterland) shows up in an early role the same year as his appearance on the lightning kid on the X-Files, a typical angsty teen with daddy issues, he's annoying and I can't say it's one of those early career moves that makes you take notice of somebody clearly on their way to stardom, but at least he's not as annoying as the daughter and her horn dog boyfriend, so there's that. The least annoying of the non-Heriksen characters are the scientist played by Gregory Sporledeband Claire Stansfield, the latter of whom turns out to be a Ripley inspired heroine. The villain is sort of interesting, sort of sympathetic in a way in a "I never asked for this" sort of way, and a bit of a Terminator in that he's near impossible to kill, showing up mere moments after you think you're rid of him, particularly in the final stretch of the film when he hops from a truck to plane, it's silly but cheaply entertaining, nd it doesn't help that he looks like a long-haired surd dude prior to his balding/earless transformation. 



I didn't love this one, though I was appreciative I was finally able to give it a watch, I didn't know this one existed until just a few years ago, and even then I didn't know about it's origins as a pseudo The Hills Have Eyes sequel. If you're a Craven completest or a Hills Have Eyes aficionado you should give this one watch, just don't expect some lost gem, it's a bit of letdown in that respect.



Audio/Video: Mind Ripper (a.k.a. The Hills Have Eyes III) arrives on region-B locked Blu-ray from 88 Films in 1080p HD framed in 1.78:1 widescreen, and it look like a mid-90's straight-to-video sequel. Advertised as a transfer from the original negatives it looks decent, grain is present but never intrusive, but the cinematography seems very made-for-TV in its composition and framing, with a lot of unattractive hazy looking shots with poor lighting, some of it bathed it retina burning red lighting that softens the image and obscures detail. It's just not a great looking film, though this is no fault of the transfer itself, it looks like it's probably inherent to the source. 



Audio comes by way of an English DTS-HD MA 2.0 Stereo with optional English subtitles, the stereo track is well-balanced and the dialogue is never hard to decipher, the synth score from J. Peter Robinson (Wes Craven's New Nightmare) is pretty bland stuff, but sound as good as can with the lossless presentation. 



The main extra here is a brand new interview with co-screenwriter (and son of Wes Craven) Jonathan Craven who speaks about origins of the script as a third Hills Have Eyes sequel set in space, also speaking about the directors they looked at for the film, including a young Alexander Payne (Sideways), the involvement of pre-infamy O.J and Nicole Simpson, and how the film was shot in post-communist Bulgaria, with stories of drunken location managers, shady drivers and other Bulgarian strangeness. Also discussed is his relationship with his late father and his father's legacy, and what it was like working with him on the film.



The single-disc release comes housed in an over-sized Blu-ray keepcase with a sleeve of reversible artwork featuring the original VHS artwork, and a limited edition slipcover (o-card) plus a booklet with new writing on the film from Dr. Calum Waddell detailing the franchise and putting this would-be third entry in the Hills Have Eyes series in context of the first two film and the remake and it's own sequel (which was scripted by Jonatahan Craven). The only other disc extra is a 2-minute widescreen trailer for the film.  



This title has also been released on Blu-ray in the U.S. by Code Red, while I haven't seen it for the sake of A/V comparison I do know that this release from 88 Films is the only release to have a substantial new extra, that being the 39-minute interview with Craven's son, which is a worthy extras, as where the Code Red release only has the trailer. 



Special Features: 
- HD transfer from the Original Negative
- English DTS-HD MA Stereo 2.0 Audio with Optional English Subtitles
- Stories From the Outpost - An Interview with Producer/Writer, Jonathan Craven (39 mins) HD
- Original Trailer (2 min) HD 
- Reversible Sleeve with Alternate Artwork




Mind Ripper (1995) is a bit of direct-to-video dud but the tenuous link to Craven's The Hills Have Eyes franchise and the participation of Craven himself and his son make this somewhat noteworthy mid-90's DTV horror entry. The 88 Films Blu-ray looks and sounds about as good as this one could with handsome packaging and a notable new extra by way of that Jonathan Craven interview, if you need to own it this movie this is the one to own. 




All the screenshots used for this this review were sourced by me directly from the disc being reviewed, provided to us for the purpose of review by 88 Films. 

THE RETURN OF SWAMP THING (1989) (MVD Rewind Blu-ray Review)

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THE RETURN OF SWAMP THING (1989)

Label: MVD Rewind 

Region Code: Region-FREE
Rating: PG-13
Duration: 88 Minuutes
Audio: English DTS-HD MA Surround 5.1, English PCM Stereo 2.0 with Optional English Subtitles
Video: 1080p HD Widescreen (1.85:1) 
Director: Jim Wynorski
Cast: Heather Locklear, Louis Jourdan, Dick Durock, Sarah Douglas


Synopsis: After her mother's mysterious death, Abigail Arcane (Heather Locklear) travels to the Florida swamps to confront her resurrected evil stepfather Dr. Anton Arcane (Louis Jourdan). In an attempt to stave off the effects of aging, Dr. Arcane, assisted by Dr. Lana Zurrell (Sarah Douglas), combines genes from various swamp animals and human beings, creating an army of monsters known as Un-Men. When Abby arrives, Dr. Arcane is hell-bent on taking his own stepdaughter's life in the name of science... that is until she is rescued by SWAMP THING in this must-see sequel to the original cult classic and based on the award-winning DC Comics series!



Believe it or not The Return of Swamp Thing is produced by the same guys whom have produced all the Batman movies since Tim Burton's 1989 film, even stranger these guys chose b-movie schlockmeister Jim Wynorski (Chopping Mall) to direct this DC comic property, a seven-years-later sequel to Wes Craven film. The film resurrects the evildoer Anton Arcane (Louis Jourdan, Octopussy) from the frist film - which if you saw the first film is quite a feat - he's once again is in the swamps of Georgia doing evil stuff, this time creating a race of half-man, half-animal "un-men" - to what end I am not quite sure, it's all very Island of Lost Souls in a way. Arcane's stepdaughter Abigail(Heather Locklear, TV's Melrose Place) comes to visit her estranged stepfather in the swamps hoping to reconcile what happened to her late mother, she having mysteriously died recently at Arcane's plantation mansion. 




Arcane still has an army of mercenaries working for him, in addition to chief science types, we have the albuterol-sucking Dr. Rochelle (Ace Mask) and  Lana Zurrell (Sarah Douglas, Superman II) who oversee the creation of his genetically spliced un-men, offering an  array of mutant monstrosities to watch, we get animal/human hybrids of an elephant, a leech, a cockroach, what looks to be an armadillo, and a guy who looks like the cannibalistic madman from Anthropophagus (1980), I am almost certain that it's an homage to that character. When the film opens we catch-up with a group of DEA agents looking for illicit moonshine stills in the swamps, but the only thing they find, unfortunately for them, is leech-man, and this is where we're re-introduced to Swamp Thing (Dick Durock, Raw Deal) who shows up just in time to save at least one of the agents, and right away I was blown away by the design of the new suit, looking very close to the Bernie Wrightson design from the comics, a vast improvement over the man in glorified garbage bag from Wes Craven's first film, The suit this time out is nicely detail molded with roots and vegetation deeply detailed, the face is really what sells it though, the character can emote like we've never seen before - but despite this awesome design I couldn't help but snigger a bit when the character spoke - gone is the original voice of Dick Durock, and what we get in it's place is sort of funny sounding charmer of a voice, it's a strange choice. 



Not that strange choices are rare in this film, it's a stumper in a lot of ways, but I like the direction of it, Wynorski is going for a camped-up comic film with plenty of over-the-top strangeness and a bucket-load of cool - though only briefly seen - practical make-up appliances for the un-men, the only one to get any real screentime is the leech-man, who battles the green much hero twice, both time are awesomely fun and the action is on-point.


Some other fun cheesiness include the completely unnecessary inclusion of two adolescent kid characters hellbent on getting a picture of Swamp Thing to sell to the tabloids, they seem like they're rejects from Hal Roach's Our Gang (The Little Rascals) shorts, the freckled ginger kid particularly. While they're not necessary characters I never once regretted seeing them onscreen. Then we have two of the mercenaries working for Arcane by way of Miss Poinsettia (Monique Gabrielle, Penthouse Pet December '82) and Gunn (Joey Sagal, (Barb Wire) brother of the more famous Katie Sagal (Married With Children)) who two of the more significant of the baddies, they have a scene where they compare scars, you know, like in Jaws, with wounds ranging from wounds in Nicarauga to a bite mark from a Motley Crue concert), just silly stuff like that.


Back to the main characters I have to say I think Louis Jourdan is really awful here, he gives the strangest performance, a mix of odd expressions and what looks to be boredom, the guy doesn't seem to want to be there, and who can blame him, he probably loathed that this is where he was at in this point and time in his career, this being his second to last film appearance. To that point there's a humorous anecdote on the extras wherein Wynorsky points out that Jourdan refused to say a characters nickname as it referenced breasts, and the director retorted with "weren't you just in a film called Octopussy?", causing the aging star to storm off the set, so that could not have helped I guess. Then there's Heather Locklear, a blond cutey for sure but she is playing this for laughs with some quippy/pun-laden dialogie that seems like a different film altogether, but it made me laugh and groan in equal measure, such as her character being is a dyed-in-the-wool vegetarian and somehow this should make us believe she would fall in love with ol' swampy, gotta love it. Anyway, this subplot allows for a weird oral-sex joke and some hallucinogenic dream-sex, I shit you not. 


The Return of Swamp Thing is just a fun film, it's super-corny and comic book-y, but not in the Alan Moore sort of way, which I would love to see actually filmed, the Alan Moore run on Swamp Thing is epic and would make for a fucked-up and gorgeous film, maybe someday, but definitely not with the this sequel or the Wes Craven original. This sin;t one I've seen before so I didn't have any nostalgic love for it, so I was kinda surprised I loved it so much first time around. 


Audio/Video: The Return of Swam Things (1989) arrives on 2-disc Blu-ray/DVD from MVD Rewind with a new 2K transfer from unspecified elements. Whatever the source the grain is nicely managed, and the source is near flawless, there's no print damage I can see aside from some minor white speckling. Colors are nicely saturated and sharp looking without looking to bright and vivid, the greens of the swamp and the mucky hero really shine. Audio comes by way of English DTS-HD MA Surround 5.1 and a stereo LPCM track, there are no subtitle options. The stereo track is well-balanced and is my preferred viewing option but the surround track sounds great, especially during the opening credits scene with Creedence Clearwater Revivals "Born on the Bayou" blasting along, as I had never watched this before I was really surprised when that popped-up on the soundtrack! 


Onto the extras we get the original Jim Wynorski audio commentary from old Image DVD, plus a brand new commentary from Director Jim Wynorski, Composer Chuck Cirino and Editor Leslie Rosenthal, a great revisit that touches on the shooting locations, gimmicks used to the film, the score and production anecdotes about the cast and crew.  Exclusive to this release are about 40-min worth of new interviews with Director Jim Wynorski (17 min), Editor Leslie Rosenthal (9 min), Composer Chuck Cirino (7 min), and Lightyear Entertainment Executive Arnie Holland 5 mn) which are loose and fun. Additionally we have a series of TV spots, two littering PSA featuring Swamp Thing and the two kids, which notably features Dick Durock's real voice. There's also a 5-min promo real, 8-min of TV promotional clips, an HD trailer, an image gallery,   

The 2-disc release comes housed in a clear dual-tray Blu-ray keepcase with a sleeve of reversible artwork, the two options are similar and I preferred the MVD Rewind framing of the a-side, the b-side is the same key art with a tan border and some small differences, like the annoying "Blu-ray + DVD" blue banner at the top, the b-side also noting that this is the  30th Anniversary Special Collector's Edition of the film. The discs themselves are simple white backgrounds with black logo-ed lettering. Also included is a one-sided mini-foldout poster of the MVD Rewind a-side artwork. This release also includes a limited edition slipcover with the usual MVD Rewind Collection patina of worn=packaging and rental store video stickers, it has some nice shelf appeal, and in spine-numbered - this being number five. 


Special Features: 

- Brand-New 2K High-Definition Transfer
- High Definition Blu-ray (1080p) and Standard Definition (480p) DVD presentations of the main feature
- Original 2.0 and 5.1 Stereo Audio (Uncompressed PCM on the Blu-ray)
- NEW Audio commentary from Director Jim Wynorski, Composer Chuck Cirino and Editor Leslie Rosenthal
- Original Audio commentary from Director Jim Wynorski
- NEW Interview with Director Jim Wynorski (17 min) HD 
- NEW Interview with Editor Leslie Rosenthal (9 min) HD 
- NEW Interview with Composer Chuck Cirino (7 min) HD 
- NEW Interview with Lightyear Entertainment Executive Arnie Holland 5 mn) HD 
- Original Theatrical Trailer (New HD Transfer from original 35mm materials) (1 min) 
- 6 Promotional TV Clips (8 min) SD
- 2 TV Spots (2 min) SD
- 2 Greenpeace Public Service Announcements (1 min) SD
- 1989 Promo Reel (5 min) SD 
- Photo Gallery (accompanied by Chuck Cirino's film's score) (2 min) HD 
- Collectible Mini-Poster
- MVD Rewind Trailers: Black Eagle (2 min) HD, Attack of the Killer Tomatoes (2 min), Savannah Smiles (3 min), D.O.A: A Rite of Passage (4 min) 


The Return of Swamp Thing (1989) is a fun, trashy super-hero film, b-movie superman Jim Wynorski knows his cheese and this one is ripe with the best kind of cinema fromage, and that they nailed the design of the creature is pretty damn sweet. The film is a far cry from the Alan Moore run from the comics that I would love to see but when I think about it, I'll revisit this long before I revisit the over-serious original film, MVD Rewind knocked it out of the park with this one with a surpsingly nice A/V presentation and oodles of new extras and nice packaging. If you're a fan there's a lot here to love, and if you're not fan, well  I don't think we can be friends, I know it ain't good, it's awesome!

ABOMINABLE (2006) (MVD rewind Blu-ray Review)

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ABOMINABLE (2006) 

Label: MVD Rewind
Region Code: Region-FREE
Rating: R
Duration: 94 Minutes 
Audio: English 
Video: 1080p HD Widescreen (1.78:1) 
Director: Ryan Schifrin
Cast: Matt McCoy, Jeffrey Combs, Paul Gleason, Rex Linn, Haley Joel, Phil Morris, Dee Wallace Stone, Tiffany Shepis, Lance Henriksen 



Bigfoot films have been around for a long while now, from The Legend of Boggy Creek (1972) right up to the found-footage Willow Creek (2013), unfortunately there haven't been a ton of really great ones, and while I'm not gonna say this one is a classic slice of Sasquatch-cinema as a millennial creature feature it's a fun watch. Like a lot of films it can be summed up thusly, Alfred Hitchcock's Rear Window by way of... this time it's by way of The Legend of Boggy Creek, and to that end we have the wheelchair bound Preston Roger (Matt McCoy, L.A. Confidential) returning to his mountain home after a stay at the asylum following a tragic mountain climbing accident that claimed the life of his wife. The traumatic event not only robbed him of his wife but also the use of his legs, leaving him with deep mental scars. He's accompanied on this return home by a home care giver named Otis(Christien Tinsley), who for a health care professional is bit of a jerk towards his ward right from the very beginning, treating him like a child and  generally being dismissive of the man.


While holed up in his home Preston has nlot muc h else to do other than spy out his window with a pair binoculars, noticing that next door a gaggle of young women have arrived for a weekend, it's a bachelorette party. We have the bride-to-be Karen (Ashley Hartman) and her friends Michelle (Natalie Compagno), C.J. (Karin Anna Cheung), Tracy (Tiffany Shepis, Night of the Demons), and Amanda (Haley Joel). There a fun bunch, and not too annoying, plus we have scream queen Tiffany Shepis is kind enough to drop her clothes during a shower scene, so you can check that off the list of things you want from a low-budget horror movie, we have nudity. 



A third group come by way of a trio of locals, the oxygen tank sucking gas station clerk Buddy (Jeffery Combs, Re-Animator), rancher Billy Hoss (Rex Linn, C.S.I.: Miami) and big game hunter Ziegler (Lance Henriksen, Pumpkinbead) who all gather around a campfire in the nearby woods exchanging stories about the legendary wild-man creature said to be roaming the local forests. During an earlier pre-credit sequence we witness rancher Billy Hoss and his wife (Dee Wallace, The Howling) have their own encounter with the bigfoot, it slaughtering their horse before killing their golden retriever and stomping around their house scaring them out of their wits. 



With these three parties set-up the bigfoot menace can begin proper with some typical plotting and monster movie mayhem, Preston begins to take notice of the creature as it stalks around the girls place next door, eventually nabbing one of the girls while she's outside on her phone and taking her back to it's cave for a snack, which is  where the hunter Ziegler discovers her still alive, almost throws up at the gruesome sight of her abdomen having been torn open, before having his own scary encounter with the sasquatch. The beast then returns to Preston's neighbors home for some more bigfoot thrills, with poor Preston as a helpless witness the carnage happening next door. When he reports what's happening to his nurse Otis the caregiver figures him for a loon and pays no mind, forcing Preston to take matters into his own hands, sedating Otis and trying to alert the local cops, but as the bigfoot has knocked down the telephone lines he send an email to the cops, but even they think he's lost his mind.



The kills are fun with some decent practical gore, when the beast finally makes it's way into the girls house he grabs a girl through a window and pulls her out in such a way that she gets folded-up like a human lawn chair, and another girl is pulled though a floor when the bigfoot punches a hole through the ceiling to get at her. It's entertaining but also very silly, the cat and mouse game with the girls trying to hide from the Bigfoot throughout the house only needed the Benny Hill theme song to accompany it, but the best kill is reserved for dipshit Otis who gets his face chewed off.  



I liked steely eyed Matt McCoy in the Jimmy Stewart role, he has a passing similarity to the Hitchcock star and is likable enough, he gives this b-movie some good presence, but not everyone in the film is as good, the acting is spotty at best, when the girl gets pulled through the floor by the Sasquatch it looks like she's smiling the whole time, it's not surprising that of all the actresses here only Tiffany Shepis had any sort of career post 2007 that I could find. Shortcomings aside the film fun, Henriksen and Combs scenes together with Rex Linn around the campfire shooting the shit are fun, and Paul Gleason from Breakfast Club shows up as a skeptical sheriff (with a "don't mess with the bull" coffee cup). 



Audio/Video: Abominable (2006) arrives on a 2-disc dual-format release from MVD Rewind with a new 2K transfer from the original camera negative, in the intro the director speaks about how the film never was mastered in HD back during it's initial release, so this is the first time they've gone back to the negative, and in fact had to re-edit the entire film, though its stated that they used the old DVD as a reference for the edits and that they are identical, but did re-do some minor CGI elements including the eyes of the Bigfoot (as noted in the screenshots), and also re-doing the opening and ending credits sequences. The results are excellent, the image is more defined and crisp, and while it's still a cheap-looking film it's easy to appreciate the improved clarity and deeper blacks. There's also been some new color correction, adding a blue tint to the dusk and night scenes. If you look at the screenshot of the 2006 DVD and the new 2018 Blu-ray you can see the framing is slightly different and the 2006 releases was stretched.


TOP: 2006 ANCHOR BAY DVD
BOTTOM: 2018 MVD REWIND BLU-RAY 











Audio comes by way of an English DTS-HD MA Surround 5.1 and stereo track,  both are a solid track with some good atmospheric uses of the surrounds, the Lalo Schifrin score and animal/bigfoot sounds come through with some decent depth, optional English Subtitles are included. 



Looking at extras we get all the stuff from the 2006 Anchor Bay DVD including a vintage making of doc, an audio commentary, deleted scenes, outtakes, galley, storyboards, and the director's USC student film "Shadows", all presented in standard definition. We also get some new stuff, that being an informative 8-minute introduction to the film by the director, and the 16-minute short film “Basil and Mobius: No Rest For The Wicked”, a fin occult-heist film starring Zachari Levi (TV's Chuck), Ray Park (Stars Wars: The Phantom Menace),  Malcolm McDowell (A Clockwork Orange) and Kane Hodder (Friday the 13th Part VII: The New Blood), both of these new extras are presented in HD. Also included is the original DVD version of the film, for the sake of comparison the difference in video quality is mighty significant. The DVD that accompanies this set features the same extras and feature except for the 2006 DVD version of the film which is exclusive to the Blu-ray disc. 

The 2-disc release comes housed in a clear dual-tray Blu-ray keepcase with a one-sided sleeve of artwork featuring the original key art by Drew Struzan, a gorgeous illustration that harkens back to vintage movie posters. The discs themselves are basic white backgrounds with black logo-ed lettering, par for the course for MVD Rewind. This release also comes with a limited edition slipcover with the same Drew Struzan art featuring the usual worn look with video store-type stickers on the slipcover and the spine is numbered, this being number seven in the MVD Rewind Collection. Also included is a mini fold-out poster with the same key art as the sleeve and slipcover.  

Special Features: 
- Brand-New 2K High-Definition transfer from the original camera negative
- High Definition Blu-ray (1080p) and Standard Definition DVD presentations of the main feature
- 5.1 Surround Audio (Uncompressed PCM on the Blu-ray)
- Audio Commentary with writer/director Ryan Schifrin, Actors Matt McCoy and Jeffrey Combs
- Intro with director Ryan Schifrin (9 min) HD 
- 'Back to Genre: Making ABOMINABLE' featurette (37 min) SD 
- Deleted and Extended Scenes (6 min) SD 
- Outtakes and Bloopers (4 min) SD 
- “Shadows” Director Ryan Schifrin's USC Student Film (8 min) SD
- “Basil and Mobius: No Rest For The Wicked” Short film written and directed by Ryan - - Schifrin featuring a score by legendary composer Lalo Schifrin and starring Zachari Levi, Ray Park,  Malcolm McDowell and Kane Hodder (16 min) HD 
- The original 2005 version of “Abominable” (Blu-ray only) (94 mins) SD
- Poster and Still Gallery (4 min) 
- Storyboard Gallery (3 min) 
- Collectible Mini Fold-Out Poster
MVD Rewind Trailers: Abominable - Trailer 1 (1 min), Abominable - Trailer 2 (2 min), Return of the Swamp Thing (1 min), Attack of the Killer Tomatoes (2 min), Savannah Smiles (3 min), D.O.A.: A Rite of Passage, Black Eagle (2 min) 

As a Bigfoot film Abominable (20016) might be in the top third - the bar is set pretty low for these things, it's an entertaining creature feature with some decent kills, fun cameos, and a man in a Bigfoot suit that looks pretty darn good in my opinion. Not all the tension-ratcheting scenes work though and the film is heavily padded, so it definitely has it's ups and downs, but if you have a cinematic Sasquatch-itch this will probably scratch that itch for a bit. MVD Rewind's new Blu-ray/DVD combo looks and sounds way better than the previous home video releases, if you're thinking of upgrading this is well worth it, with new and old extras and great MVD Rewind collector packaging this is a tasty treat, glad to see them revisiting this millennial horror film, I don't think this one is as well known as it should be so I hope it finds more of an audience this time around. 

 

THE BEASTMASTER (1982) (Umbrella Blu-ray Review)

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BEASTMASTER (1981) 

Label: Umbrella Entertainment
Region Code: Region-FREE
Rating: M
Duration: 118 Minutes
Audio: English DTS-HD MA Surround 5.1, Dolby Digital Stereo 2.0
Video: 1080p HD Widescreen (1.77:1) 
Director: Don Coscarelli
Cast: Marc Singer, Tanya Roberts, Rip Torn, John Amos


Like probably ninety-percent of everyone who loves this sword and sorcery classic I first caught up with it on HBO in the early 80's when it was airing ad nauseum on cable, so much so that comedian Dennis Miller once said HBO was an acronym for "Hey, Beastmaster's On". It was mighty rare that I would turn on the TV and see that Beastmaster was on and not plop down on the sofa and settle in for some fantasy-adventure fun, regardless of what I had planned or should have been doing, putting off my chores till it was over. 


The film opens strong with a strange slice of sorcery, in the kingdom of Aruk an evil high priest named Maax (Rip Torn, Summer Rental) is foretold of a prophecy in which he will die at the hands of the son of King Zed (Rod Loomis, Jack's Back), inspiring the priest to send one of his super-hot witches (from the neck down at least, on top they're hideous hags) to the bedroom of the king, through witchcraft they somehow transport the king's unborn son from the queen's womb into that of a nearby cow, leading the now preggers with human child bovine into a rural area with plans to sacrifice the child to the local god Ar. The witch brands the infant's hand with the mark of Ar before attempting to kill it with a knife, but the witch is thwarted by a local villager with a unique flying weapon, who saves the child and raises him as his own, naming the kid Dar. As a kid grows we discover he can telepathically communicate with animals when he saves his father from a grizzly attack, a fact that his father says he should keep to himself for fear of the villagers superstitions. Later his adopted father and the rest of the villagers are wiped out during a raid by a barbarians horde called the Junns, who are aligned with the evil priest Maax, sending Dar (Marc Singer, V: The Final Battle) on a path of vengeance. 


Along the way Dar befriends a pair of pickpocketing ferrets, a black panther (really a Bengal tiger dyed black!) and an all-seeing hawk who help him on his journey, also befriending a gorgeous slave girl Kiri (Tanya Roberts, Tourist Trap) and a warrior named Seth (John Amos, the dad from TV's Good Times) who also join him on his quest for vengeance against the evil Maax.


As a kid of ten this was simply the best-movie-ever without a doubt, more so than Conan the Barbarian or any of the other Conan knock-offs, which this move certainly is, this gave me a love for all thing sword and sorcery. Sure, I didn't know at the time that Marc Singer wasn't a great actor, I was drawn in by everything around him, the beauty of Tanya Roberts as the slave-girl, his sinewy body draped in a loin cloth, his control over wild animals and then there's the strange and evil sorcery elements. Rip Torn is just chewing the place up with his hawkish nose and over-the-top delivery, and he's surrounded by so many cool evil incarnations, from the hideously-faced witches with drop-dead-gorgeous bodies to the leather and stud clad Death Guards who looks like extras from 80's Judas Priest music videos with glowing eyes and a green-glowing brain slug dropped into their ears (Wrath of Khan anybody?), plus other cool stuff like that all-seeing eye-ring worn by the acolytes of the Maax. The creepiest part of the movie was always the mysterious bird-men with their leathery wings who could dissolve people into green-goo, that and the whole transferring the baby from the mother's womb into a cow for some reason really got under my skin as a kid, this movie is never short on strange imagery, not surprising coming from the mind behind the Phantasm films, it definitely has a lot of kinder-trauma moments, and also with loads of nudity, of both the erotic and frightening kind, the kind of stuff that gave you confused erotic dreams as a kid.


As sinewy as Marc Singer is draped in that loincloth he does seems to be a bit tiny for a warrior, but he also had a cool-looking sword and a unique throwing weapon that while notable is not used often enough in the flick for my tastes. The movie is directed by Don Coscarelli (Phantasm) who really proves his meddle here, bringing his eye for the strange and compelling fantasy. The evil here is not as menacing as I remember it being but it still packs a lot of entertainment value with cool looking special effects, elaborately staged battles and some cool set design and forced perspective grandeur that's eye-catching, and it was lensed by Kubrick cinematographer John Alcott (The Shining), so it looks great.  


Audio/Video: The Beastmaster (1982) arrives on region-free Blu-ray from Umbrella Entertainment in 1080p HD widescreen, framed in  
1.77:1 widescreen. This looks like an older HD master, there's some contrast issues and compression artifacts throughout but grain is left intact, there's no egregious DNR-ing of the image, but it lacks depth and clarity you would get from a new transfer. However, on the bonus side blacks are deeper and the colors are better rendered, the yellow pallor of the Anchor Bay release is gone with greens and blues coming through much more naturally. Also gone is the vertical stretching of the Anchor Bay release, with more information on all four sides of the Umbrella release, this is a nice upgrade, but it's not ideal, would love to see this get a new scan.


Audio comes by way of English DTS-HD MA Surround 5.1 or Dolby Digital Stereo 2.0 with no option for subtitles. Dialogue sound good and clean without any distortions that I noticed, the Lee Hodlridge (Splash) score sounds real nice, particularly on the more robust lossless surround mix. 

Looking at the extras Umbrella carry-over the 2005 audio commentary with Director Don Coscarelli and Producer Paul Pepperman plus the 55-minute making of doc from the Anchor Bay DVD, but they didn't port-over everything, so you might want to hang onto the DVD for the complete set of extras that accompanied the older release.  

Special Features: 
- Audio Commentary with Director Don Coscarelli and Producer Paul Pepperman 
- The Saga Of The Beastmaster featurette (55 min) 

Don Coscarelli's The Beastmaster (1982) may not be the stone-cold best-movie-ever I thought it was when I was ten but it's still a pretty awesome sword and sorcery film, and it's great to have it on region-free Blu-ray from Umbrella Entertainment. 


SCREENSHOT COMPARISON 
Top: Umbrella Entertainment 2018 Region-Free Blu-ray 
Bottom: Anchor Bay DVD 






































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